Word: cartoonable
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Although this gang sounds like it belongs on a super heroes cartoon, it actually represents the line-up of this season's women's cross country squad, according to coach Robert "Pappy" Hunt, who is partial to nicknames and dubs each runner appropriately...
...near death or trouble themselves to ponder the assailant's identity. If the scheming scion of Ewing Oil were not surrounded by a nest of relatives, all pursuing their venal and venereal desires through a plot delirious in its complexity, he would be perceived as a cartoon villain among prime time's standard retinue of sanctified simps. If Dallas did not offer the rarest of series commodities-narrative surprise and character change -the attempt on J.R.'s life would be no more than a gimmick, instead of the logical climax to a season of devilish intrigue...
Director Alan Rudolph, whose Welcome to L.A. examined the West Coast music scene from a perspective so distant it seemed almost Martian, has fashioned Roadie into a kind of live-action Road Runner cartoon and added the exuberant bad taste of Russ Meyer's redneck sex movies. Roadie has bar brawls, earth quakes, sloppy eaters, hair-rollered harridans, fire-engine-red panties and lots of loud rock 'n' roll. In its second hour, the movie loses some of this mad enchantment: Guest Stars Alice Cooper and Deborah Harry (Blondie) do not jell with Rudolph's genially...
THIS IS THE TRUE trash aesthetic. This is every bad movie that you've ever seen on Creature Features or Groovy Ghoulies. This is every Three Stooges comedy wrapped up in one gigantic wad of Larry's hair. This is every lousy cartoon which demented, misguided youths have ever forced you to watch. This is every sex-and-death dime novel you've frantically glanced over in the back section of the corner magazine stand. Imagine them all together and they can't begin to plumb the depths to which the Cramps sink...
Here lies the true irony of Alitto's approach to his subject. His attempt to give this one man historical potency produces cartoon drawings of intellectual developments. Ultimately, Liang was not "the last Confucian" that could defend two millenia of Confucian tradition. His Confucianism was a tool, picked up relatively late in life, with which he sought to preserve China in the face of modernity. He could not stand for the old order; he chose only one of many intellectual responses to simultaneous demands of Chinese culturalism and nationalism; he failed to make any new synthesis that challenged...