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Word: cartoonable (lookup in dictionary) (lookup stats)
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...novelty derives not from originality of insight but from the fact that virtually the whole movie is a cartoon. Animation has seldom been used to express purely personal experience. Heavy Traffic not only has an authentic tenement toughness but the rough feeling of unassimilated autobiography, of experiences and fantasies still keenly felt...

Author: /time Magazine | Title: Cinema: Street Sounds | 8/27/1973 | See Source »

...world will have to wait a bit for the first cartoon Kafka. Right now Bakshi is finishing "a homage to the black man" in the form of a collection of Uncle Remus-style tales called Coonskin. As in all animation work, progress is slow because each movement, no matter how imperceptible in the finished product, requires a separate drawing. "We turn out twelve feet of film a week here," says Bakshi, who disdains the larger animation outfits in town that finish a hundred or more feet a week by using fewer drawings per foot and settling for less lively results...

Author: /time Magazine | Title: Cinema: Street Sounds | 8/27/1973 | See Source »

...company's given him. He sort of mucks around the lower-classes, trying to sell his coffee to the middle-classes, and getting nabbed by the upper-classes. (All three classes are misrepresented, I imagine. Like the whole human animal is misrepresented. Like this movie is a complete cartoon.) He has all these adventures on the way. He gets mistaken for a spy in an atomic research plant and gets tortured. Or he wanders into a medical center and has to escape from this mad scientist who's transplanting human heads onto pig bodies. Or he gets fished...

Author: By Max Blearlens, | Title: Don't Fall for the Hype, Joe | 7/20/1973 | See Source »

...Harvard Crimson issue of Monday, June 4, the headline on Page One pertaining to the "Doonesbury" cartoon reads, "Globe, Pose Cancel 'Doonesbury' Strip...

Author: NO WRITER ATTRIBUTED | Title: DOONESBURY LIVES | 6/12/1973 | See Source »

...character can go on talking long after his mouth has closed. Not that it matters, considering the low level of the dialogue. Still, the picture is harmless fun, and the violence seems no more real-or scary-than the POWs and WHAMs in a Tom and Jerry cartoon...

Author: /time Magazine | Title: Show Business: The Men Behind Kung Fooey | 6/11/1973 | See Source »

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