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Usually Dave McClelland's cartoons are about the only thin to rave about, but this issue manages without him. Jonathan Cerf's full-spread cover would make a fairly sophisticated cover for the New Yorker--if he could draw an Ibis; Henry Beard's Arab-fish cartoon is reasonably amusing--which is all that Beard ever attemtps to be. He is a master at plucking the boredom or inanity out of anything or anyone, and for that talent his "Vanitas" is worth reading...

Author: By Boisfeuillet JONES Jr., | Title: The Lampoon | 7/28/1967 | See Source »

...growing cult. Primarily, the interest derives from reruns of L. & H. films on TV. In the past three years, moreover, two successful feature-length films composed of clips from old L. & H. shorts have been released, and a third is scheduled for this fall. The fever has spawned a cartoon series as well as TV tributes on CBS and NBC, and the mugging faces of L. & H. appear on everything from puppets and salt-and-pepper shakers to the jacket of the new Beatles album. In Paris, one moviehouse annually runs a two-month L. & H. Festival. Marshal Tito...

Author: /time Magazine | Title: Movies: The L. & H. Cult | 7/14/1967 | See Source »

Ripe for Ribbing. In his early period, Lichtenstein was a latter-day abstract expressionist. When he turned to subject matter, he happened on comic strips, he explains, "because of their anti-artistic image and because they are such a modern subject." He took over the whole cartoon vocabulary, including printers' Benday dots (originally suggested to him by the exaggerated dots on a bubble-gum wrapper), primary Magna colors, heavy, black-outlined forms. "I like taking a discredited subject and putting it into a new unity," Lichtenstein says (currently he is working with 1930s pseudo-Bauhaus modern), "I was serious...

Author: /time Magazine | Title: Painting: Kidding Everybody | 6/23/1967 | See Source »

...schools that can afford them. From the fairly tame animal films on the kindergarten level, they range to Human Reproduction, featuring body models with all organs clearly labeled; Phoebe, the story of a lovely girl and what happens to her when she becomes pregnant; Fertility and Birth, a cartoon depicting sexual intercourse and subsequent hospital delivery, which is supposed to be used only in "emergencies," meaning when children specifically ask about fertilization...

Author: /time Magazine | Title: Essay: ON TEACHING CHILDREN ABOUT SEX | 6/9/1967 | See Source »

Other directors sense the farce in the drama of any still picture. Fellini's White Sheik is a parody of the Italian fumetti, romantic cartoon strips with real pictures instead of drawings. But White Sheik was made as a movie, with due respect paid to continuity of motion and thought. Chafed Elbows, whatever it is, has not paid respect to anything...

Author: By Charles F. Sabel., | Title: Chafed Elbows | 5/12/1967 | See Source »

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