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...Rasmussen's slight, Muslim activists in Denmark embarked on a provocative campaign of their own. In mid-November, Abu Laban, the country's most radical imam, made arrangements on behalf of the Organization of Islamic Faith to send a delegation of Muslims to the Middle East to publicize the cartoon issue. They brought with them a 43-page dossier that contained the 12 cartoons and three even more inflammatory drawings, not published by Jyllands-Posten but allegedly sent to Danish Muslims in the wake of the initial protests. (One of the images, purportedly showing Muhammad with a pig's nose...

Author: /time Magazine | Title: Fanning the Flames | 2/12/2006 | See Source »

...editors of Jyllands-Posten, Muslim leaders and Danish politicians all contributed to the notion that the dispute was the product of irreconcilable cultural differences. The most obvious centered on the Islamic taboo on images of the Prophet: devout Muslims consider any depiction of the Prophet blasphemous. But the Danish cartoons stirred outrage among moderate Muslims less because the cartoons depicted Muhammad than because of the way in which the Prophet was portrayed. "Eleven of the series were problematic but not outrageous," says Antoine Basbous, director of the Observatory of Arab Countries in Paris. The cartoon that showed Muhammad with...

Author: /time Magazine | Title: Fanning the Flames | 2/12/2006 | See Source »

Hamouda and other Muslims across the Middle East point out that the eruption of rage over the cartoons coincided with the electoral success of religious parties in Egypt, Iraq and the Palestinian territories, as well as the escalating confrontation over Iran's nuclear ambitions. Those developments have emboldened forces in the region who benefit from seeing the frustration felt by Muslims about their lives channeled into hostility toward the West, forces that range from radical clerics to secular Arab autocrats. In that sense, the cartoon uproar may have a lot less to do with religion or culture than with politics...

Author: /time Magazine | Title: Fanning the Flames | 2/12/2006 | See Source »

Where have all the pixels gone? That's what cartoon mavens were asking about the Oscar finalists for animated feature. At a time when computer-generated imagery (CGI) bedazzles the box office, when Disney dumps its 75-year-old traditional-animation unit and spends $7.4 billion to buy CGI leader Pixar, the three nominees are defiantly old-fashioned and handcrafted: two delightful stop-motion movies--Wallace & Gromit in the Curse of the Were-Rabbit and Tim Burton's Corpse Bride--as well as a hand-drawn fantasy, Howl's Moving Castle, from Japanimator Hayao Miyazaki. Meanwhile, three big-studio...

Author: /time Magazine | Title: Chasing Oscar: Tumult in Toon Town | 2/12/2006 | See Source »

...could say the category's voters (316 animation professionals) were in synch with this year's overall Oscar mood: ignore the mainstream hits, and reward quality work in the little films. (Hi there, Brokeback Mountain! Bye-bye, Narnia!) But the resentment of cartoon veterans toward the CGI style that put them out of business could play a part. "A lot of animators are older, and computers have a stigma," says Tim Miller, creative director of Blur Studio, which copped a nomination last year for its short Gopher Broke. "I hate seeing political motivation influencing what's chosen." Perhaps the main...

Author: /time Magazine | Title: Chasing Oscar: Tumult in Toon Town | 2/12/2006 | See Source »

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