Word: cartoonishly
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Dates: during 2000-2009
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...final third, where Bronson begins to produce drawings and paintings for his prison’s art program, synthesizes the film’s content with its narrative frame without reducing the enigma of its subject. Bronson’s art is, from what can be seen, mostly cartoonish grotesquery more reminiscent of Daniel Johnston than Basquiat, but his final “piece” is executed with as much theatrical verve and visual splendor in a series of moments as the rest of the film offers in its entirety...
...completed by a totally inexplicable jigsaw pattern painted on the floor. The lighting has a few select moments where it explicates the atmosphere of a scene, but otherwise it does little to aid the drama at hand. The sound is a dismal effort, relying largely on tacky, cartoonish underscoring that reduces the tone of any given scene to garish musical stereotypes...
...Fasting, Feasting” or Aravind Adiga’s “The White Tiger.” Enthusiastic reception notwithstanding, however, the “local color” in which these books traffic reduces perceptions of the region to little more than cartoonish, “My Big Fat Greek Wedding”-esque stereotypes.Harsh? Perhaps. Yet the breach between the possibilities for “diaspora” fiction and the lackluster reality is disappointingly vast. To pull a book from the shelf at random, take Pakistani author Kamila Shamsie?...
...could right the economy or reform health care. The burning question for the Obama age: What the heck were political comedians going to do? For eight years they had enjoyed a comedic gift from the gods in George W. Bush, whose bumbling presidency provided even richer material than the cartoonish excesses of the Clinton years. But Obama, with his obvious smarts, low-key style and (most important) ability to catch the prevailing tone of irony and laugh at himself, has left the comics with little to hang their punch lines on. The best Jay Leno could do during the campaign...
...into boiling clouds of light. He applied it for a while to religious subjects weirdly poised between the sacred and the profane. Christ before an uncomprehending contemporary crowd was a favorite. That's also the subject of his most famous painting, Christ's Entry into Brussels in 1889. A cartoonish cacophony of marching bands and lurid faces, it's a mob scene straight out of South Park. (Unfortunately it's not included in the MOMA show, which was organized by assistant curator Anna Swinbourne, because the J. Paul Getty Museum in Los Angeles, which owns the picture, doesn...