Word: cartoonist
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Dates: during 1960-1969
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...BRITISH Cartoonist Ronald Searle, who drew this week's summit cover (his first for TIME), is recognized as one of the best of Great Britain's talented covey of cartoonists. Searle won a national reputation before he was 30 for his madcap cartoons of "St. Trinian's Girls' School," whose bloomered, black-stockinged, altogether fiendish young ladies roasted oxen in their rooms, made dissenters walk the plank, fired machine guns down the halls ("Girls! Girls! A little less noise please"). He spread his humor through weekly features for Punch and London's News Chronicle, including...
...TIME points out [March 14], Alex King might be an ex-cartoonist, ex-artist, ex-editor, ex-playwright, ex-husband, ex-dope addict and ex-writer, but until he becomes an ex-purveyor of truth (even King's brand of truth), he's made...
...marks the spot of Alexander King. He is an ex-illustrator, ex-cartoonist, ex-adman, ex-editor, ex-playwright, ex-dope addict. For a quarter-century he was an ex-painter, and by his own bizarre account qualifies as an ex-midwife. He is also an ex-husband to three wives and an ex-Viennese of sufficient age (60) to remember muttonchopped Emperor Franz Joseph. When doctors told him a few years ago that he might soon be an ex-patient (two strokes, serious kidney disease, peptic ulcer, high blood pressure), he sat down to tell gay stories...
...teens he fed material to Walter Winchell, also showed so much talent as a cartoonist that the Morning Telegraph hired him to illustrate its "Beau Broadway" column. At 22, he began reviewing plays for the Hollywood Reporter, seldom wasted words. Samples: Strange Fruit-"a lemon"; Billion Dollar Baby-"inflation." When one Broadway producer complained that Hoffman was physically unqualified for his job because he "can't see," Hoffman squinted agreeably and said, "Yes, but there's nothing wrong with my nose...
...tell somebodies from nobodies at cocktail parties (the somebodies come late and shun walls), how institutions achieve perfection of layout just before collapsing, and how the deliberations of any finance committee "will be in inverse proportion to the sum involved." The Law and the Profits, well illustrated by Cartoonist Robert C. Osborn, is twice as long and half as funny. Grappling with the tax spiral and inane bureaucratic waste, the onetime Raffles Professor of History at the University of Malaya has understandably lost some of his donnish laughter...