Word: cartoonist
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Although Superman's adventures were a fairly crude story, fairly crudely illustrated, their overnight success not only earned millions but also created shoals of imitators, such as Batman, Captain Marvel, Hawkman, Green Lantern and Wonder Woman. "Oddly enough," says Cartoonist Jules Feiffer, "the Depression enlivened the American dream that anyone could make it, and that's what Superman did. I loved the fantasy of this guy who had all this strength. While Superman went around beating up crooks, in my dreams I was beating up authority figures...
American neoclassicism was the style that marked the difference between the old regime and the new. When a cartoonist wanted to evoke the states of the embryo Republic, he drew them as classical columns standing together. The phrase the "federal pillars" was not just an empty cliche. Jefferson was not, of course, the only architect to act on such beliefs. In 1795 work began on Charles Bulfinch's new Massachusetts state house on Beacon Hill. The Old State House, built in 1712-13, had been the symbol of British power over Boston's economic life. Its site was tainted...
...Cartoonist William Steig continues to create with a master's style and a youth's imagination. In his 20th book, Brave Irene (Farrar, Straus & Giroux; $12.95), the daughter of a fevered dressmaker attempts to deliver a ball gown to a faraway duchess. Young Irene is faced with cold, snowdrifts and night. Lesser individuals might need rescuers, but this child has ingenuity to go with her spunk. She turns the dress box into a toboggan and slides her way to the ball. Young ladies have come a long way since Hans Christian Andersen's little match girl froze her toes...
Though the young Larson liked to draw dinosaurs and gorillas, he did not dream of becoming a cartoonist. Instead, as a communications major at Washington State University in Pullman, he hoped someday to save the world from mundane advertising. As it turned out, the world was not ready for salvation when he graduated, so he played the banjo in a duo and worked at a music store. The latter job so depressed Larson that in 1976 he temporarily quit to try his hand at drawing. In two days he sketched a few cartoons and sold them...
Larson credits Don Martin of Mad magazine, George Booth of The New Yorker and B. Kliban, famed for his cat cartoons, with influencing his style; his work also seems informed by the bloated grotesqueries of Gahan Wilson (Playboy, The New Yorker). Nonetheless, Larson's vision is like no other cartoonist's. If a single theme animates his work, it is that man, for all his | achievements, is just one species on earth, and not always the wisest or strongest one. His prehistoric cave dwellers and chunky matrons with beehive hairdos and sequined glasses are vulnerable and foolish, while his cows...