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This difference is directness, the one-to-one correspondence between simultaneously seeing an image, processing that visual information and grasping a complex message. This is the cartoonist's privilege alone...

Author: By Oliver C. Chin, | Title: A Cartoonist's Final Thoughts | 5/22/1991 | See Source »

DURING THE CIVIL WAR, Abraham Lincoln called political cartoonist Thomas Nast "our best recruiting sergeant." According to Lincoln, Nast's cartoons "have never failed to arouse enthusiasm and patriotism, and have always seemed to come just when those articles were getting scarce." But when pundits examine the Fourth Estate's impact upon American politics, they routinely ignore the importance of the cartoon...

Author: By Oliver C. Chin, | Title: A Cartoonist's Final Thoughts | 5/22/1991 | See Source »

...cartoon, unlike an editorial, cannot explore a topic in detail. Limited by space, a cartoonist must grab the reader's attention, hook the reader's imagination, impress a message immediately. In a cartoon, "the message being conveyed usually is not essentially different from those expounded in newspaper opinion columns," says William Thomas, editor and executive vice president of the Los Angeles Times. But as Thomas recognizes, "the manner of conveyance is different--profoundly different...

Author: By Oliver C. Chin, | Title: A Cartoonist's Final Thoughts | 5/22/1991 | See Source »

...unfair, and unapologetically so. There are, clearly, many principled opponents of animal testing who are not kooks. And it is not necessarily racist to support the death penalty. I drew the cartoon because the lunatic fringes of each movement fits its own caricature, and because unfairness is a cartoonist's prerogative. I allowed for the possibility that I would hear from disgruntled animal rights enthusiasts and death penalty advocates. I had a few susprises coming...

Author: By Paul Tarr, | Title: Race, Rats and political Cartoons | 5/6/1991 | See Source »

...carefully withheld from the press. During editing, only five copies of the manuscript were printed; each was numbered and kept track of at all times. Simon & Schuster staff members even took copies home at night to guard against leaks. One special reader got the book a month in advance: cartoonist Garry Trudeau was allowed an early peek so he could prepare a week's worth of Doonesbury strips to coincide with the book's release...

Author: /time Magazine | Title: The First Lady And the Slasher | 4/22/1991 | See Source »

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