Word: cartoons
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Dates: during 1980-1989
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Bochco's sly accomplishment is to have concocted a show that, while styling itself as a no-holds-barred look at the legal profession, manages to reaffirm a host of romantic illusions about lawyers. Except for one cartoon villain (the mercenary Brackman, played by Alan Rachins) and to some extent the slick divorce lawyer played by Corbin Bernsen, virtually all the main characters on L.A. Law are upright, principled, sensitive and dedicated. There are few hints that ethical compromises, or even a healthy professional detachment, might be part of the terrain. When Abby Perkins (Michele Greene), one of the firm...
...what cartoon lover wouldn't want to see such a match...
...usurped film's place as the most pervasive popular art, most movie studios sold TV rights to their pre-1948 films. Disney knew better; he knew his pictures had a shelf life. So he hoarded his booty, doling out the old animated features to movie theaters while airing the cartoon shorts on his own shows. When the pay-cable era finally arrived, the Disney Channel had a vintage supply of no-cost programming -- all thanks to Walt's farsightedness...
This Disney land was always a world so rich and rigid that it was ripe for satire. In 1954 Harvey Kurtzman's Mad comic book burlesqued the Disney cartoon world, with its talking animals wearing three-fingered gloves, its ducks in sailor suits but no pants, and a mouse named Minnie "with lipstick and eyelashes and a dress with high-heeled shoes; a mouse, ten times bigger than the biggest rat." This was mild stuff compared with a 1967 parody that Mad Alumnus Wallace Wood drew for Realist magazine. In the cheerfully scabrous "Disneyland Memorial Orgy," Walt's creatures behaved...
...spirit, all these blockbusters -- among the top grossers in movie history -- were closer to the cartoon classics than the late-'70s Disney product was. Without its founder, the studio floundered, producing modest cartoons, lame sequels and sci-fi thrillers without art or heart. However conscientiously Ron Miller ran the shop, he was no match for Lucas and Spielberg. As if by osmosis, these young outsiders had learned the master's lessons of film artistry and audience manipulation. Miller was Disney's son-in-law, but Lucas and Spielberg were Walt's true heirs...