Word: cartoons
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Dates: during 2000-2009
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...claims American essayist Bruce Bawer, in his book While Europe Slept. "Now, nearly the whole of Western Europe is practically within their grasp." Europeans, for their part, worry that its Muslim population can only become more segregated and disaffected; that the London bombings, the France riots and the Danish cartoon protests are just a taste of what's to come. A new report by the British think tank Policy Exchange found that 13% of British Muslims aged 16 to 24 agreed when asked if they admired "organizations like al-Qaeda that are prepared to fight the West...
...million Amount Turner Broadcasting System and a marketing firm agreed to pay in restitution after a publicity stunt, which involved planting blinking signs for a Cartoon Network show on Boston bridges, sparked a terrorism scare and several days of nonstop media attention...
...Virtually no one disputes the utter vapidity and still-born humor of the Danish caricatures at the center of the case - and which French daily Lib?ration ran again as the trial opened Wednesday. Initially, as the fury over the caricatures grew, the magazine published another cartoon depicting the Prophet lamenting of the hue and cry, "It's hard being loved by a**holes." But now that the matter is in court, Charlie Hebdo's editors are dropping their cavalier sarcasm and instead cast themselves as the last bastion of free speech...
...evilly titled “Aqua Teen Hunger Force.” The perpetrators of this plot, who—much like Osama bin Laden and Ayman al-Zawahiri—have facial hair, calculatedly placed light boxes with sinister circuits of wires, batteries, duct tape, and a lighted cartoon character in strategic locations throughout the city. The danger posed by these devices is almost too terrible to contemplate: In the alternate universe where al-Qaeda terrorists hide bombs in Lite-Brite toys, these devices could have been lethal weapons of mass destruction. The evildoing entrepreneurs who hatched this plot...
...City and across the Hudson at the Newark Museum. That final leg was a severely reduced and somewhat censored version of the L.A. spectacle, which showcased some 900 works assembled by John Carlin, a MOCA curator, with the help of Brian Walker, founder of another MOCA, the Museum of Cartoon Art, and son of Mort Walker, the creator of Beetle Bailey and Hi and Lois. Carlin and Walker focused on 15 artists, from the early 20th century to today, who both devised their own visual-narrative languages and did so with distinctive graphic grace and power...