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...films for a long time to come....) But Toy Story was special not because it had kids forking over $8 to see the movie a dozen times, but because it brought the adults back to animation. Not since Aladdin or the Lion King had we had indulged in a cartoon that purposely surfed right over the kiddie's heads, providing pretty eye candy for tots and self-referential fun for the big ones. While Disney went back to its melodramatic basics for its feature-length animation of the '90s, Pixar adopted a distinctly modern--practically postmodern--sensibility. Each scene...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: The Toys are Back in Town for Pixar's Latest | 12/3/1999 | See Source »

...tonier households, and with its Headless Horseman hurling a grimacing pumpkin at the head of Ichabod Crane, the story helped create the American giddying-up of Halloween as a funny fright night. But like so many old fables, Sleepy Hollow is chiefly remembered in its Disney version. That 1958 cartoon short, a genial mix of comedy and anxiety, took its tone from the voice of its narrator: Bing Crosby. A lulling, a chuckle, then a little scare...

Author: /time Magazine | Title: Cinema: Tim Burton's Tricky Treat | 11/22/1999 | See Source »

...ready to return the favor as I watched Pikachu's Vacation, a harmless, mildly inventive short cartoon that precedes the feature. The plot, eventually, is about the communal effort to pull a dragon's head out of a drainpipe. But the fun comes before, as the whole gang cavorts--heads rolling, bodies warping--in a cheery Dadaist vaudeville that echoes Bob Clampett's 1938 Looney Tunes triumph, Porky in Wackyland...

Author: /time Magazine | Title: The Man Who Just Didn't Get It | 11/22/1999 | See Source »

...someone would instruct the filmmakers about cartoon values. This picture has none. It lacks visual wit and expressiveness of movement. It has no pace, or even much of a pulse. As a Rastafarian moviegoer might say, "It's pokey...

Author: /time Magazine | Title: The Man Who Just Didn't Get It | 11/22/1999 | See Source »

...into tragedy and transcendence. But this dour, powerful film might be just an anecdote without Dequenne, 18. She invests Rosetta with the weird ferocity of an alien creature: a wild angel or a madwoman. This novice actress's task--finding the shading of realism in what could be a cartoon of misery--is made all the more harrowing by the film's intense, handheld scrutiny of her face in almost every shot. The purity of Dequenne's performance inspires awe. To a grubby life she brings dignity, clarity, passion, glory...

Author: /time Magazine | Title: Cinema: Good Work | 11/22/1999 | See Source »

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