Word: cartoons
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...growing up in the mid-1930s in the New York metropolitan area, Hollywood films were not only cheap entertainment but lessons as well. We safely watched suitable family entertainment, and on Saturday afternoons had a four-hour treat. For 25[cents] we could watch two great movies plus a cartoon and an exciting weekly chapter of a serial. What a great escape! JOAN S. MARKOWITZ Larchmont...
...Geffen and Steven Spielberg. He raided a goodly portion of Disney talent, including Prince of Egypt producers Penney Finkelman Cox and Sandra Rabins and composer Hans Zimmer. He readily admits that The Prince of Egypt has a special resonance for him; one of his animators has even drawn a cartoon of Katzenberg as Moses confronting Eisner as Rameses. But it's not just a matter of personal vindication. Animation is such a key part of the DreamWorks business plan that many in the industry believe a failure by The Prince of Egypt would be a bad omen for the future...
...Four big cartoon movies may soon be playing in a Cineplex near you. Life is short, so which one should you choose to see? Here's a handy-dandy chart with all you need to know about the adventures of Z-4195, Moses, Dil Pickles and Flik...
Almost despite itself, The Prince of Egypt recalls familiar cartoon motifs. Like The Little Mermaid, Aladdin and The Lion King (and for that matter, Gone With the Wind, Star Wars, Forrest Gump and Hamlet), this is a coming-of-age story, a tale of youth pressed into troubled maturity during a national cataclysm. As for the film's basic plot--a bright misfit goes undercover to save his people from foreign domination--it's pure Mulan. You'll also find echoes of Cecil B. DeMille's 1956 essay in panoramic kitsch, The Ten Commandments (including the climactic Red Sea parting...
What doesn't work so well is the storytelling, traditionally a hallmark of Disney-style cartoon craftsmanship. The film lacks creative exuberance, any side pockets of joy. All those evangelists and rabbis who were consulted during the picture's gestation must have weighed like a rock on the filmmakers' impulse to soar. Artistic care gives way to religious caution, and the picture sometimes looks starched, stodgy. Except for the When You Believe anthem, Stephen Schwartz's tunes mostly bring not buoyancy but ballast to the proceedings. While Jeff Goldblum is good as a fretful Aaron, the rest of an exemplary...