Word: carus
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Dates: during 1980-1989
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...more invoked than read. But one would be hard pressed to find much public recognition of their contemporaries in painting. There is Caspar David Friedrich, the darling of the art historians, with his cloaked and silent watchers, his chilly crags and moonstruck ships. But Philipp Otto Runge? Carl Gustav Carus? Franz Pforr and Julius Schnorr von Carolsfeld? Johann Overbeck? Franz Horny or Adrian Zingg? Not household names, exactly -- yet interesting and sometimes remarkable artists, all the same. Hence the Morgan's show fills a distinct gap. None of the drawings and watercolors in it have been seen in America before...
...might come closest to a definition of their aspirations," writes Schiff in his catalogue essay on early 19th century artists like Friedrich, Runge and Carl Gustav Carus, "by stating that 'longing' (Sehnen) was the first and almost the last word of German romanticism." These painters were men of exceptional seriousness, their sense of mission verged on the priestly, and they saw art as a powerful means of philosophic speech. As Schiff rightly remarks, one dictum of the writer Friedrich Schlegel appears to summarize their hopes: "Only he can be an artist who has a religion...