Word: caruso
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Dates: during 1930-1939
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Seventeen years have passed since Enrico Caruso walked into the Victor Talking Machine plant in Camden, N. J., called out a greeting to everyone he met, shed coat, waistcoat, collar, tie, shut his eyes and became for a few moments the brokenhearted clown in Pagliacci. Vesti la giubba, the clown's song which Caruso sang that day, helped more than any other to put his record royalties over the million dollar mark. Victor says that no other voice has recorded so brilliantly, so exactly as Caruso's. But the mechanics of record making have undergone many a change...
Victor's Raymond Sooy was responsible for the new version of Vesti la giubba which, with M'Appari from Marta on the reverse side, was put on sale last week in record shops all over the U. S. Raymond Sooy. who engineered the making of the original Caruso records, felt that full justice had to be done to his friend's voice. He consulted Conductor Nathaniel Shilkret, Victor's able handyman, who proceeded to memorize Caruso's interpretations, each long held note, each sob and sigh. Conductor Shilkret donned earphones, then summoned his orchestra...
...career in 1875. Beer flavored the performances there but, alternating light opera and grand, the house managed to keep open all year round-an achievement never equaled in the U. S. The Metropolitan Opera visited San Francisco three times-with Calve, Melba, Eames, Schumann-Heink, Fremstad, Gadski, Sembrich. Caruso, the de Reszkes. Early one morning during the third visit the earth started rumbling and quaking, knocked the entire company out of bed, frightened Enrico Caruso so badly that even though he was offered $25,000 he would not go back to 'Frisco...
...svelte Pons figure and dark Pons lashes please the Argentinians. Last week, day of her final performance, the box office queue began at 6 a. m. When the last peso was counted the receipts totaled $7,000, breaking even the Buenos Aires record of the late great Enrico Caruso...
...company which gives opera every night needs several leading tenors. Tenor Gigli inherited many of his best roles from the late great Enrico Caruso. To succeed Gigli Mr. Gatti has chosen Tenor Tito Schipa, another short, plump Italian, lately of the Chicago Civic Opera.* Also from Chicago will come Frida Leider, great Wagnerian Soprano long coveted by the Metropolitan. Tenor Gustaaf de Loor and Basso-Baritone Ludwig Hofmann will strengthen the German wing. Four new Americans are on the list: Tenor Richard Crooks, Soprano Helen Gleason. Contralto Rose Bampton, Baritone Richard Bonelli. Three operas will be added to the repertoire...