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Wagner's heavy oil is what makes the wheels of the Met go round. Of the Met's eight most frequently heard operas, four are his-Lohengrin, Tannhäuser, Tristan und Isolde and Die Walküre. From Caruso's debut (1903) until eleven years ago, the Met had a thick Italian accent. Then came the great Norwegian, Kirsten Flagstad, to join the great Dane, Lauritz Melchior-two singers with the bellows and brawn to shout down the batteries of trumpets and trombones that Wagner put to work in the pit. Since Flagstad went home...

Author: /time Magazine | Title: Music: Happy Heroine | 11/11/1946 | See Source »

After Enrico Caruso died, one of his fiddler accompanists decided to bow it alone. But Manhattan critics had few good words for his well-mannered Beethoven and Bach, and his Los Angeles concert fee was not enough to pay the room rent. Says hawk-nosed Xavier Cugat: "I knew that the American people was polite to an artist but crazy for a personality, so I decided to become a personality...

Author: /time Magazine | Title: Music: Personality | 7/29/1946 | See Source »

...week Iturbi collected a $118,029.69 royalty check from RCA-Victor for six months' sales of his phonograph records. It was one of the biggest single royalty checks RCA-Victor has ever issued. It put him in a class with some of Victor's all-time moneymakers: Caruso, Alma Gluck and Marian Anderson. Added to his Hollywood salary of about $100,000 a picture, and an annual income of $200,000 from concerts, it established Pianist Iturbi in the financial big league in music...

Author: /time Magazine | Title: Music: Piano Playboy | 6/17/1946 | See Source »

Unlucky Nine. In 1907 Mahler came to New York to conduct the Metropolitan Opera. With such great singers as Enrico Caruso, Marcella Sembrich, Geraldine Farrar, Feodor Chaliapin and Emma Fames he conducted Beethoven's Fidelia, Mozart's Marriage of Figaro and the Met's first performance of Smetana's Bartered Bride...

Author: /time Magazine | Title: Memories of Mahler | 5/6/1946 | See Source »

...debut, with Caruso, in 1912, critics raved about the "enormous heights" her voice soared to. Last week her altitudes were a little cloudy, but when she settled on the lower musical plateaus, concertgoers could still recognize some of the golden tone that earned Frieda Hempel a million and a quarter dollars in opera, concerts and Red Seal records...

Author: /time Magazine | Title: Music: Dowager of Song | 1/28/1946 | See Source »

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