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Alda on her contemporaries: (Geraldine Farrar): "She and I were never friends." (Enrico Caruso): "His voice and mine blended so completely that they became one voice. The voice of humanity-male and female-joined into one." (Marion Talley): "If ever a child had a God-given voice, that girl had it. But intelligence about using it? That's something else again." (Maria Jeritza, who she says asked her for voice instruction): "No. You and I are friends now. But if I started to teach you we wouldn't be friends. Let's leave it at that." (Ganna...

Author: /time Magazine | Title: Music: Alda on Alda | 11/8/1937 | See Source »

Curiosity seekers will and a meteorologist, an herpetologist, an importer (Italian Food Products), a translator, and a budding Caruso on the list...

Author: NO WRITER ATTRIBUTED | Title: CLASS OF 1941 HAS STRANGE CAREER MEN | 10/1/1937 | See Source »

...Spagnola who has sculptured next to the Steel Pier for 17 years. Self-taught, he pioneered floodlighting, cement statues, the personal sketch. Ten years ago, against his better artistic judgment, he installed easel and paper sketching pads to meet modern competition. He has sand-modeled such celebrities as Paderewski, Caruso, Valentino, Gilda Gray, Portraitist William Chase (who told him to "keep it up"). He specializes in monumental masterpieces like "The Empty Chair," "Lion of Lucerne," "Old Skipper's Tale." A special Spagnola attraction is a pair of big sand & cement dragons with light-bulb eyes, open mouths to receive...

Author: /time Magazine | Title: Art: Sand Sculptors | 6/21/1937 | See Source »

Forever Yours (Grand National). When Beniamino Gigli (pronounced zhee-lyee) was a choirboy in Recanati, Italy 40 years ago, he was called "Il Passero Solitario" (the solitary sparrow). When Enrico Caruso died in 1921 and Gigli inherited his roles at the Metropolitan Opera, he was called "the world's greatest tenor." Eleven years later when Gigli refused to take a 10% salary cut to help the staggering Metropolitan keep going, he was called names far less flattering, which so ''diminished" his "dignity as a man and as an artist'' that he went back to Europe...

Author: /time Magazine | Title: Cinema: The New Pictures: May 24, 1937 | 5/24/1937 | See Source »

With the background provided by the Vienna Philharmonic Orchestra and the recorded voice of Enrico Caruso, Masquerade in Vienna" proves to be a pleasant enough bromide for thesis-writer headaches. Its advertised "delicate dallying" is mostly delicate, but an ingenious plot and capable acting compensate is any disappointment that might be felt of that account...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 4/15/1937 | See Source »

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