Word: carusos
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Dates: during 1950-1959
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...Regularly $9.98, Special Only $3.98." Inside is a strange mixture of musical candies: Jeanette MacDonald and Nelson Eddy singing Indian Love Call, Arturo Toscanini and the NBC Symphony playing the Prelude to Act III of Lohengrin. Perez Prado, Tommy Dorsey and Perry Como rub grooves with Enrico Caruso, Sergei Rachmaninoff and Leopold Stokowski...
Died. Mario Lanza (Alfredo Arnold Cocozza), 38. golden-throated tenor who aspired to be a second Caruso but lacked the self-discipline to train his voice, went instead on a ten-year whirl of Hollywood, where he grossed $5,000,000 from films (The Great Caruso) and recordings (Be My Love, The Loveliest Night of the Year) that sold more than a million copies each, collected a mass of button-snatching fans who fed his conviction that his loud voice was a great one; of a heart attack; in Rome. Lanza quarreled capriciously with his Hollywood benefactors, was sued...
...Enrico Caruso and the phonograph drove the parlor tenor to the bathtub. Now Columbia Records' Mitch Miller is trying to lure him out from behind his shower curtain. Miller, a now inaudible oboist who is nonplaying captain of Columbia's pop musicians, worked up a gimmick just corny enough to click: a chorus of 28 men singing simple, slow arrangements of the old, golden songs, and an album-jacket invitation to listeners to join in the schmalz...
...appeal to Scotland Yard, discovered him alive in London (when he died in 1954, 87-year-old Composer Maryon left Slonimsky all his manuscripts). On the other hand, Slonimsky has suffered his setbacks: no amount of sleuthing has ever revealed the official birth dates of Antonio Vivaldi or Enrico Caruso; no fewer than 13 Enrico Carusos were born in Naples on or about the date (Feb. 25, 1873) on which the tenor is assumed to have been born (he was the 18th or 19th of 21 children, most of whom did not survive infancy, and his parents probably...
...famed sopranos give the Met its glamour, but its roster of first-class male singers provides the backbone. As box-office attractions, none of them can compare with a Callas or Tebaldi, and certainly not one of them commands the fanatical personal devotion Caruso once enjoyed. But their presence at the Metropolitan means the difference between a minor and a major opera house. Among the Met's best...