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Word: carusos (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Italian-born laborer, Tozzi, 37, was introduced to music at home on a phonograph stacked with Caruso and Tetrazzini records and with contemporary pop hits (one favorite: "It ain't no sin to take off your skin and dance around in your bones"). Although he took voice lessons, he majored in biology at Chicago's DePaul University. But jobs were scarce when Tozzi got out of the Army in 1945, and he took to singing wherever he could-in the WGN Theater of the Air chorus, with Skitch Henderson and his orchestra at a local nightclub, at local...

Author: /time Magazine | Title: Music: The Basso's Lot | 4/7/1961 | See Source »

German Composer Friedrich von Flotow (1812-83) wrote about a score of operas for the theaters of Paris, but only Martha remained in the repertory. As late as the 1920s it was a smash at the Met, with Caruso periodically igniting the house with the tenor aria "M'appari." The only other scrap of the opera likely to be familiar to modern audiences is The Last Rose of Summer, which Flotow lifted from a book of Irish folk songs, where it was known as The Groves of Blarney. When Berlioz heard Soprano Adelina Patti sing the air, he remarked...

Author: /time Magazine | Title: Music: The Last Rose of Flotow | 2/3/1961 | See Source »

...CARUSO Saugus, Mass...

Author: /time Magazine | Title: Letters: Jan. 13, 1961 | 1/13/1961 | See Source »

Died. Lucrezia Bori, 72, Spanish-born (as Lucrecia Borjay Gonzalez de Riancho) Metropolitan Opera lyric soprano who began her Met career singing with Caruso, gave tender feeling to the roles of Mimi and Violetta, was a Met favorite for 24 years before retiring in 1936 while at her peak ("I want to finish while I am still at my best"); of a cerebral hemorrhage; in Manhattan...

Author: /time Magazine | Title: Milestones, may 23, 1960 | 5/23/1960 | See Source »

...Singer Belleri was signed for the Met in the summer of 1910, while she was still a Munich schoolgirl. When she reported for duty that fall, she was, at 16, the youngest chorus member in Met history, made her debut in the 1910 season in Aïda, with Caruso. In those days, the chorus was bigger - 120 members - and the newest arrival was paid $24 a week, plus $2 for solos. In the present unionized chorus, Belleri earns around $155 a week and $15 to $30 for solos (although she makes only $5 extra for screaming that Turiddu...

Author: /time Magazine | Title: Music: Fifty Years at the Met | 2/29/1960 | See Source »

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