Search Details

Word: carusos (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...friend Lord Snowdon. Aurally acute listeners to Chance may recognize the voice of Comedian Stan Laurel. Although he was unmusical offscreen, he could become an opera star if the part required it. "Peter couldn't sing a bloody note," recalled Actor Wilfrid Hyde-White. "Yet when he sang Caruso, he took high Cs like Caruso." Throughout his career, Sellers stole or copied mannerisms of people he came across. First, he said, "I work on the voice. Perhaps this comes from my radio days. After that I establish how the character walks. And then suddenly something strange happens. The person...

Author: /time Magazine | Title: Show Business: The Prime Minister of Mirth | 8/4/1980 | See Source »

...certainly won't be able to replace Italy, where every stone has a history," Ussia says. "We'll mainly be catering to the new generation--they're just discovering new heroes." For example, Ussia describes a youngster who has just learned about opera tenor Enrico Caruso: "He'll be able to go to the audio room, check out a tape, and listen to tapes of Caruso's operas...

Author: By Geoffrey T. Gibbs, | Title: Dante Society Finds Cambridge Paradise | 5/6/1980 | See Source »

Luciano Pavarotti is the finest operatic tenor since Jussi Bjoerling, if not since the legendary Enrico Caruso. Ah, but you have to hear Pavarotti in concert. When all 300 Ibs. of him were here in our lovely Music Hall, the city fathers were concerned that the stomping of those in the balconies might cause the balconies to collapse...

Author: /time Magazine | Title: Letters, Oct. 15, 1979 | 10/15/1979 | See Source »

Luciano Pavarotti is the fourth greatest musicmaker of all times: 1) Apollo, 2) Orpheus, 3) Caruso, 4) Pavarotti...

Author: /time Magazine | Title: Letters, Oct. 15, 1979 | 10/15/1979 | See Source »

...certain something that makes its way across the footlights, sometimes even through the electrical circuits in a recording machine. Pavarotti has it." Ponselle believes it is this ineffable communicative power, and not matters of timbre and style, that forges the link between Pavarotti and his forerunners, especially Caruso. Says Ponselle: "Probably the biggest similarity between Pavarotti and Caruso is the way each could envelop an audience, the way each could make every person feel that he or she was being sung to individually...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

Previous | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | Next