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Word: carusos (lookup in dictionary) (lookup stats)
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...return next year, about the only thing left will be surgery to bypass the blocked artery with a piece of his own vein or a Dacron tube. But by week's end Dr. Cooley was a relieved optimist: "Now I know how the surgeon felt who operated on Caruso's vocal cords...

Author: /time Magazine | Title: Surgery: Repair of a Pitching Arm | 11/20/1964 | See Source »

...people a day have been queuing their way to Molly despite all the heat of summer. She thus breaks the $1,885,335 record of 1962's That Touch of Mink, a Gary Granter, which in turn replaced Fanny ($1,573,580), which in turn replaced The Great Caruso...

Author: /time Magazine | Title: Box Office: The Unsinkable Molly Green | 9/18/1964 | See Source »

JUSSI BJOERLING sings operatic duets with Robert Merrill and scenes (from II Trovatore, Rigoletto) with Zinka Milanov and others (RCA Victor). Like Caruso, whose popularity he nearly attained, the Swedish tenor died before 50, but unlike Caruso he was able to leave a treasury of well-engineered recordings of Italian opera. These excerpts date from 1950 to 1956, and show his voice getting slightly heavier and darker while retaining its refinement and radiance...

Author: /time Magazine | Title: Television: May 29, 1964 | 5/29/1964 | See Source »

Several lawyers found fault with Belli's style. In the opinion of St. Louis Lawyer Morris Shenker, "Belli violated almost every principle of a criminal defense. This was a case that called for humbleness. It required a serene, solemn and sober defense." Added Beverly Hills Lawyer Paul Caruso: "Wade was perfect in his role. Belli was too flashy. What Ruby needed was a defense lawyer who could have matched Wade's demeanor, perhaps a small-town Texas lawyer, old-fashioned and down to earth, with suspenders instead of a velvet collar." The professional verdict on Belli...

Author: /time Magazine | Title: Lawyers: Casus Belli | 3/27/1964 | See Source »

...ultimate cynic is someone who wants to know who was singing backstage while Caruso was mouthing the words. Of course, the ultimate cynic lives in Hollywood. Anywhere else, the star of a musical might reasonably be expected to be a singer. But not out there. When Audrey Hepburn sings I Could Have Danced All Night in Warner Brothers' My Fair Lady, the voice on the sound track won't be Audrey's. It belongs to Marni Nixon, the ghostess with the mostest. A girl with a rubber range, Marni is a redheaded, blue-eyed lyric soprano...

Author: /time Magazine | Title: Hollywood: Instant Voice | 2/7/1964 | See Source »

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