Word: carusos
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...performance from Tenor Giuseppe Campora, the opera emerged at least in parts as the melodic masterpiece that the French have come to regard it (the Paris Opera-Comique has it in its regular repertory, as does La Scala). Outstanding were the fine tenor aria in Act I familiar to Caruso fans ("Je crois entendre encore"), the thunderous and majestic choral hymn of vengeance in Act II, a rhapsodic and haunting baritone aria...
...Italian-born laborer, Tozzi, 37, was introduced to music at home on a phonograph stacked with Caruso and Tetrazzini records and with contemporary pop hits (one favorite: "It ain't no sin to take off your skin and dance around in your bones"). Although he took voice lessons, he majored in biology at Chicago's DePaul University. But jobs were scarce when Tozzi got out of the Army in 1945, and he took to singing wherever he could-in the WGN Theater of the Air chorus, with Skitch Henderson and his orchestra at a local nightclub, at local...
German Composer Friedrich von Flotow (1812-83) wrote about a score of operas for the theaters of Paris, but only Martha remained in the repertory. As late as the 1920s it was a smash at the Met, with Caruso periodically igniting the house with the tenor aria "M'appari." The only other scrap of the opera likely to be familiar to modern audiences is The Last Rose of Summer, which Flotow lifted from a book of Irish folk songs, where it was known as The Groves of Blarney. When Berlioz heard Soprano Adelina Patti sing the air, he remarked...
...CARUSO Saugus, Mass...
Died. Lucrezia Bori, 72, Spanish-born (as Lucrecia Borjay Gonzalez de Riancho) Metropolitan Opera lyric soprano who began her Met career singing with Caruso, gave tender feeling to the roles of Mimi and Violetta, was a Met favorite for 24 years before retiring in 1936 while at her peak ("I want to finish while I am still at my best"); of a cerebral hemorrhage; in Manhattan...