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Word: carusos (lookup in dictionary) (lookup stats)
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...pleasant surprise in That Midnight Kiss is Mario Lanza, a young (27) tenor with the spry, nonsensical air of a chipmunk and an Americanized-Caruso voice which gives style and seriousness to the whole production. His least appealing quality, which Metro will apparently exploit for some ten musicals, is the smily, complacent bounce which places him in Hollywood's long list of boys who rouse the maternal instinct...

Author: /time Magazine | Title: The New Pictures, Sep. 19, 1949 | 9/19/1949 | See Source »

Under a Manhattan auctioneer's gavel went 65 gold, gem-studded snuffboxes and watches collected by the late great Tenor Enrico Caruso...

Author: /time Magazine | Title: People: People, Mar. 21, 1949 | 3/21/1949 | See Source »

After 36 years in Europe and private U.S. salons, a little-known group portrait of Baritone Titta Ruffo, now 71, the late Tenor Enrico Caruso and the late Basso Feodor Chaliapin turned up in a spot where U.S. opera lovers could get a look at it-the lounge of Manhattan's Metropolitan Opera House. In 1912 fast-painting Portraitist Tade Styka had herded the three together, daubed away between impromptu arias, somehow managed to catch the highstrung trio in a portrait that all but played its own temperamental mood music...

Author: /time Magazine | Title: People: Homebodies | 1/3/1949 | See Source »

...recordings were preserved. The voices of all U.S. Presidents since McKinley have been impressed in wax, as was William Jennings Bryan's famed "Cross of Gold" speech delivered at the 1896 Democratic convention. Other voices recorded for posterity: Tolstoy, Lloyd George, Florence Nightingale, Ellen Terry, Gladstone, Edwin Booth, Caruso, Sarah Bernhardt...

Author: /time Magazine | Title: Radio: 13 Years in 45 Minutes | 12/6/1948 | See Source »

Maybe Another Year. In the old days, Caruso was paid $2,500 a night-2½ times what the Met now pays its Melchiors and Ponses. But other expenses had risen sharply. Most show-wise Broadwayites agreed with the directors that the Met couldn't safely raise the price of its orchestra seats above the present $7.50. The antiquated horseshoe house seats less than 3,500, one-third the capacity of municipal auditoriums in such cities as Cleveland, St. Louis, Seattle. As long ago as 1925 Otto Kahn had told the management it needed a new house...

Author: /time Magazine | Title: Music: What, No Opera? | 8/16/1948 | See Source »

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