Word: caryl
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Dates: during 2000-2009
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...Again, that is so hard to choose. I think right now my favorite is Caryl Churchill’s play, “A Number.” I really love it because it presents such huge ideas in such a compressed way that it really resonates for a long time for me. It is very multifaceted. I love really expansive,crazy, theatrical plays like “Dead City” by Sheila Callaghan. I am especially intrigued by this one because I will be teaching it this semester, so I have been really getting inside of it lately...
...Which playwright has been most influential on your work? CME: Paula Vogel is my teacher and ran the MFA Playwriting Program at Brown, and then I guess Sarah Kane and Caryl Churchill. So many people. Though I have to say Shakespeare, of course. Beckett, and I think Maria Irene Fornes too, and I include her because her work has nourished an amazing flowering of the Latino theater...
...would be nice to think that his case was exceptional. But it is the burden of Caryl Phillips' latest searching meditation on outsiders in England that Turpin's story is much too typical. Beside him, in the triptych that makes up Foreigners: Three English Lives, is the story of Samuel Johnson's Jamaican servant, Francis Barber, who ended up in penury, though Phillips' narrator remembers him as "at one time, probably the foremost negro in England." Then there's the story of David Oluwale, a Nigerian who stowed away as a teenager to come to England in 1949, dreaming...
When fifth grade teacher Caryl Brown sends her students home with an assignment that requires research, she knows that most of them will rely on the Web for information. But with millions of websites, how can kids find what they're looking for and, more importantly, be sure they can rely on that information? "It's overwhelming to me, let alone an 11-year-old," says Brown...
...disturbing venture into the world of trauma and abuse. See today’s review. Written by Caryl Gluck, directed by Aoife Spillane-Hinks and produced by Mollie Kirk and Sarah Curtis. The play is presented and sponsored by the Harvard University Committee on Human Rights Studies and the Ann Radcliffe Trust. Loeb Ex. Tickets free at the Loeb Drama Center box office...