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Given the presence of a Cockney Casanova, Alfie's plot predictably unreels more like a score card than a scenario. Among the standard items is the eager middle-aged nymph (Shelley Winters) who entertains Alfie in a big bath tub. One of the more pathetic entries is the hen-shaped wife of a sick friend-they take char together, and then Alfie makes a grab at the old girl, just to "round off the tea nicely." And then there is the nubile nurse (Shirley Anne Field)-while Alfie is recuperating from overexertion in a TB sanatorium, she comes round...

Author: /time Magazine | Title: Cinema: Ponce Charming | 9/2/1966 | See Source »

...editorialized: "They say that you own a house in Virginia and that you vote in Massachusetts. But we know better than that. You are a real New Yorker, born in The Bronx." Last month, after Kennedy had made his swing around Latin America, El Tiempo's Juan Casanova said in his gossip column, "Off the Record": "When he arrived in Caracas, at the Hotel Tamanaco, Kennedy took his own liquor to the pool, not buying in the local bars. Thus, he created enemies in Latin America...

Author: /time Magazine | Title: The Press: Sparks & Machete Blows | 2/18/1966 | See Source »

...more. Argentina's working class is now well organized, and looking for leadership among half a dozen tough young politicians and labor leaders. To many of these leaders, the exiled septuagenarian is becoming an anachronism; some Peronistas pay him lip service but little else and unflatteringly call him "Casanova...

Author: /time Magazine | Title: Argentina: The Fading Image | 10/29/1965 | See Source »

...Casanova-'70 is a marathon farce about impotence and fetishism, clumsily contrived to challenge the artistry of Marcello Mastroianni, who manages to outrun his vehicle at nearly every turn. As an Italian army major rather loosely attached to NATO, Mastroianni embarks on a series of amorous bivouacs, only to find that he cannot love unless his life is gravely threatened. He hungers for the romance, adventure and intrigue of yore, and Casanova argues that modern women cannot supply...

Author: /time Magazine | Title: Cinema: Loving Dangerously | 8/6/1965 | See Source »

...bored lover, Mastroianni is superb, now freezing almost imperceptibly over some affront to his fairly rigid erotic code, now quivering with gleeful, guilty passion as he catches a scent of danger. But his solid performance is wasted in fleshing out a hollow comic premise. In the end, Casanova collapses into palaver about murder and morals in a frantic courtroom scene-the customary last stop for a comedy that has lost its case...

Author: /time Magazine | Title: Cinema: Loving Dangerously | 8/6/1965 | See Source »

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