Word: casazza
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When Giulio Gatti-Casazza took his name plate from his office door last spring and for the last time hulked out of the shabby old Metropolitan Opera House, a musical era reached its end in Manhattan. For 27 years Giulio Gatti-Casazza had guided the Metropolitan's affairs shrewdly and cosily. At its best his long regime stood for many a stirring performance, for the presentation of many a top-notch singer, for real opera glamour. The end was different. Though the tired old impresario was granted every honor, his spirit seemed broken when Depression left his Company impoverished...
...square old backstage office which used to be Gatti-Casazza's sat a cheerful youngish-looking man whom opera audiences had known as a romantic Romeo, a wistful Pelleas, a dreamy Peter Ibbetson. Last week Tenor Edward Johnson was dealing with hard realities, amiably settling disputes, busily drawing up schedules for 14 weeks to come. As a singer Tenor Johnson was never a rafter-rending vocalist but as an artist he was possessed of unfailing taste and intelligence, a man on friendly terms with all his colleagues, one who out of working hours could detach himself from opera...
...Ballet. For years the Metropolitan ballet has been slipshod. Ballet mistress was Rosina Galli, second wife of retired Manager Giulio Gatti-Casazza. Not since 1927 has an independent ballet (Casella's La Giara) been given at the Metropolitan. Last week Manager Johnson made ready to cash in on the current popularity of ballet. He announced the engagement of the American Ballet, the lively organization founded by Edward M. M. Warburg and Lincoln Kirstein, with Russian George Balanchine as director (TIME, Dec. 17). From the present Metropolitan ballet, Balanchine will add to his group of 27 dancers, according to Manager...
...life, this good Britisher lost what remained of his identity when the former Maria Metten took to pronouncing their name as if it were French. In 1908 Chorus Master Giulio Setti offered her a place at the newly reorganized Metropolitan. She sailed on the same ship with Giulio Gatti-Casazza, says she flirted with him all the way across under the impression he was a fellow artist, "so you can imagine how I felt when I knew he would be my impresario." Nothing daunted, Mme Savage readily embraced life in the chorus, which she says is happy because...
...Deems Taylor's Peter Ibbetson. Then suddenly, on the baggage truck, he was supposed to tell reporters how it felt to be General Manager of the Metropolitan Opera, the successor to Herbert Witherspoon who dropped dead two weeks after he had taken over the job from Giulio Gatti-Casazza (TIME...