Word: casefuls
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Dates: during 1990-1999
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...rule, high schools don't make national news unless something terrible has happened, as was unfortunately the case last spring at Columbine High School in Littleton, Colo. For this week's 35-page special report, however, TIME chose Webster Groves, a suburb of St. Louis, Mo., in part because it has not been benighted by violence...
...there is the larger question of why we would want to concentrate on just one school. "Sometimes, in order to tell a really big story," answers senior editor and key team member Nancy Gibbs, "we've found that it's best to look at it in miniature--in this case to spend a lot of time in one school and try to figure out what pressures it faces, what is working, what isn't and what has really changed since last spring, when we all discovered how complicated high schools can be." Allowed to peel back the layers of Webster...
...SMIT, a retired Colorado Springs homicide detective, worked on the case for 18 months before quitting in protest over the direction the probe was going. Smit formed another theory using key pieces of evidence. He believes the killer may have spotted JonBenet as she glided by in a convertible in Boulder's holiday Parade of Lights. On Christmas night, while the family was out, he entered through a basement window, roamed the house and penned a ransom note, using a legal pad and black Sharpie marker he found near the kitchen...
...home in Portland, Ore., the least manly city in North America. "We can channel violent feelings into working hard and buying things, but they keep popping up. We need to acknowledge that they are not bad feelings; they are human feelings," he said. I asked him why, in that case, the fight clubs in his novel caused so many problems. "Because it was a book, it had to go somewhere," he explained. "It needed a climax." It was a manly answer. Palahniuk wrote his book in three months; Stiffed took seven years. Men don't ask a lot of questions...
...same sort of harsh yet slightly fantastical realism and the same sort of antisocial protagonist, who thinks his life might be justified if he could just leave these hellish streets behind. The fact that Frank's vantage point is, like Travis Bickle's, a moving vehicle (in Frank's case, an ambulance), from which one's perspective is hasty and incomplete, is another significant parallel...