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...done effectively: eerily lit time-lapse nature footage punctuated by waves of white noise and color-saturated, slow-motion shots create a nightmarish atmosphere for the carnage to unfold in. The alternation between handheld and dollied camera is seamless, and Von Trier even experiments with lenses in the former case, making for an especially distorted register in some of the film’s most intense moments. But finding the natural extreme of a career that counts a visually stirring and intellectually stunted film like 1991’s “Europa” as its peak leaves...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Antichrist | 10/30/2009 | See Source »

...novel’s seeming climax, rendering much of the book’s attention to plot somewhat irrelevant. One passage exemplifies Crutchfield’s divided attentions throughout the novel. “Memo: work on your mother’s file. Query the Racine PD. Memo: your case file is updated. Your case is dead-stalled. Memo: get your ass to the rockin’ D.R. and voodoo-vamped Haiti.” The split focus and meandering pace of the novel give the sense of only a passing interest in the novel’s supposed central...

Author: By Heather D. Michaels, CONTRIBUTING WRITER | Title: 'Rover' Runs Red, if Overlong | 10/30/2009 | See Source »

...characters are similarly one-dimensional, with no motivations or desires other than those necessary to keep the film moving: detectives want to solve the case, psychopaths want to kill, and greedy executives (both those within the film and the real executives responsible for its creation) want to make money. The exception is Kramer [an executive?], whose predictable philosophy of appreciation of life receives almost all of the screen time not devoted to torture. Conveniently, his character provides an excuse for the flatness of those of his proteges, whose actions are motivated only by the fascism of Kramer?...

Author: By Mark A. VanMiddlesworth, CRIMSON STAFF WRITER | Title: Saw VI | 10/30/2009 | See Source »

African American studies chair Professor Evelyn B. Higginbotham said that there would be a new course in which Wilson will use “The Wire” as a case study for poverty in America...

Author: By Stephanie B. Garlock, CONTRIBUTING WRITER | Title: HBO’s “The Wire” Earns Credits | 10/30/2009 | See Source »

Attendee Sarah V. Chace ’80, who is also a fan of the show, said she already uses “The Wire” as a case study in a class on community leadership she teaches at Albertus Magnus College in New Haven. She said she came to the event to hear more about how other academics and the actors view the role of “The Wire” in depicting urban life...

Author: By Stephanie B. Garlock, CONTRIBUTING WRITER | Title: HBO’s “The Wire” Earns Credits | 10/30/2009 | See Source »

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