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Exploring (NBC, 12:30-1:30 p.m.). The program includes a reading of Casey at the Bat and an explanation of why a baseball curves when thrown. Color...

Author: /time Magazine | Title: Time Listings: Mar. 29, 1963 | 3/29/1963 | See Source »

Perhaps Abbott picked the wrong play, or at least the wrong author: O'Casey's prickly-pear mixture of the gay and the grim, the heartless and the sentimental is often awkward enough. But, then, Richard III is no pip and Abbott did well enough by that, and with, generally speaking, a much less effective cast. Lynn Milgrim, the Juno of this Juno, for instance, could not be better: business-like in her work, gruff in her joy, searing in her grief. Patricia Fay is an honest, spirited Mary Boyle, at once demure and uncompromising. Sheila Forde who appears briefly...

Author: By Anthony Hiss, | Title: Juno and the Paycock | 3/22/1963 | See Source »

...should come as no surprise that one can again expect to find the Mets toward the bottom of the senior circuit. Manager Casey Stengel, the only de Gaulle figure in baseball, might move his team up a notch if Choo-Choo Coleman provides power behind the plate and Los Angeles rejects Tim Harkness and Larry Burright invigorate the infield. Stengel has a sharp lefthander in Al Jackson, but he's no independent deterrent...

Author: By Frederick H. Gardner, | Title: THE SPORTING SCENE | 3/18/1963 | See Source »

Though the action covers less than a day in the life of Dr. Matthew Carter, this new novel is practically a shooting script for a new TV series. All the elements of Casey and Kildare are abundantly present: 1) gruff-seeming doctors beset by demanding patients, 2) flippant nurses, 3) crisp dialogue given a spurious weight by repetition ("Are you sure? Are you absolutely sure?" "Yes, we're sure"), and 4) big, dramatic scenes in the operating room with the surgeon rapping out such commands as "Toothed forceps and a knife with a number eleven blade...

Author: /time Magazine | Title: Books: Rx for Patients | 3/8/1963 | See Source »

...similarly soared. Tickets began with a $3 top, have risen as high as $4.95. Yet no more than three or four out of 100 off-Broadway productions ever go into the black. The cost of putting on a play has rocketed. In 1953, a revival of Sean O'Casey's The Plough and the Stars was staged for $400. Today, it could not be duplicated for much less than $15,000, the current average production cost...

Author: /time Magazine | Title: Theater: Off-Broadway Reckoning | 2/15/1963 | See Source »

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