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Juno (book by Joseph Stein, music and lyrics by Marc Blitzstein, dances by Agnes de Mille) is a Pyrrhic victory of Broadway talent over an Irish genius. This musical version of Sean O'Casey's Juno and the Paycock paradoxically mutes O'Casey's inner music with song, fetters his soaring spirit with dance, and deflects the lyric flow of his dialogue into prosy pools of talk...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Mar. 23, 1959 | 3/23/1959 | See Source »

...last-act curtain and become dramatic immortals like Hamlet, Tartuffe, and St. Joan. Captain Boyle, the strutting Paycock, is a Homeric boozer, braggart and whine. With a sea-rolling gait and a gravelly brogue, Melvyn Douglas makes him an amiably puckish buffoon but scarcely a Dublin Falstaff. O'Casey's Juno has a spiny tongue for her shiftless husband, but she is also an Earth Mother of Sorrows. Her unmarried daughter becomes pregnant; her son loses an arm to the British and his life to the I.R.A. Shirley Booth puts a barbed disenchantment in her lines that neatly...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Mar. 23, 1959 | 3/23/1959 | See Source »

...Loren Driscoll and Monte Amundsen, highlight a Marc Blitzstein score that is more thoughtful than tuneful. Stars Douglas and Booth have the skill and charm to appear to be singing and dancing while actually talking and jogging. But Juno cannot solve its main problem: how to do O'Casey short of actually doing O'Casey...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Mar. 23, 1959 | 3/23/1959 | See Source »

...John Casey, whose part is too complex to explain or care about, is forced--against his better judgment, I hope--to sing. He manages to save his part with some convincing buffoonery, but it is a close call...

Author: By Alfred FRIENDLY Jr., | Title: Busy Bodies | 3/19/1959 | See Source »

...high school French teachers, who are not in all respects exactly like the rest of us. The complicated plot concerns a disreputable lawyer who cheats others and who is himself cheated, and never would intrigue have been less intriguing, except for an excellent actor by the name of John Casey. Mr. Casey sweats not, neither does he strain. He plays the shifty Patelin as one of those people who, when they are not leaning against something, contrive somehow to appear to be leaning against themselves; relaxed, charming, and funny. William D. Gordy has directed a cheerful and reasonably no-sweat...

Author: By Julius Novick, | Title: Three Farces | 2/27/1959 | See Source »

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