Word: caseys
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...GREEN CROW (303 pp.)-Sean O'Casey-George Braziller...
Like most men, Sean O'Casey is a hero to his mirror. Yet he has reason above vanity for some of his pride; he climbed out of the Dublin slums to the fameupholstered penthouse of playwriting, leaving at least two masterpieces to mark the trail, i.e., The Plough and the Stars, Juno and the Paycock. Along the way he has also taken on a habit of piling chips on his shoulders and wearing them like epaulettes. The Green Crow is largely a dress parade of pet peeves, mostly in the form of journalistic pieces on the theater, actors, critics...
...fine one, even though we may, at times, fall from the swing-boats, or grow dizzy and faint as we ride the galloping, scarlet and gold clad roundabout horses, or fail to win a thing at any of the booths . . ." The booth marked "Modern English Theatre," O'Casey seems to believe, is rigged by a bunch of gyp-artists. First off, there are the critics, "death-or-drivel boys gunning with their gab from their pillboxes . . . those who take a step forward to enthrone imagination in the theatre and make it more of a temple and less...
Zymotic Bilge. Among the playwrights only Shaw is placed above suspicion of shoddiness, and the long arm of an O'Casey grudge can reach far back to cuff an offender ("Pinero . . . turned the wine of drama into water. A miracle, a miracle!"). Three pieces are devoted to the demerits of Noel Coward, whose works are finally summed up in two words (of George Jean Nathan's): "zymotic bilge." As for the "flea minds" of Ireland who are not properly reverent to their self-exiled bard, "these critics do not injure O'Casey, but they disgrace Ireland...
...Lane was appointed Executive Director and General Counsel to the N.Y. Waterfront Commission. At present, he is a partner in the New York firm of Casey, Lane, and Mittendorf...