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...MISER. Philip Bosco does everything one could ask in the title role of Moliere's satire, except the indispensable: lurch into believable love-struck madness when his cherished cashbox is stolen. Other actors in this Broadway revival swoop and flutter and generally diminish the text, save for splendidly real and moving bits by John Christopher Jones as a long-suffering servant and Adam Redfield as a splenetic...

Author: /time Magazine | Title: Critics' Voices: Oct. 29, 1990 | 10/29/1990 | See Source »

American carmakers last week had one eye firmly fixed on the cashbox and the other on Japan. As the seemingly endless flood of auto company losses continued, the Reagan Administration finally won an agreement with the Japanese government for a "voluntary" cutback of up to three years in the number of autos exported to the U.S. Meanwhile, Detroit was preparing for this week's launching of the latest answer to sluggish auto sales and the Japanese imports: the General Motors J-cars...

Author: /time Magazine | Title: Detroit Is Fighting Back | 5/11/1981 | See Source »

...Friedman is a Lithuanian Jewish accountant, gray suit, beard and wire glasses, Mittel-European accent and Henny Youngman-style jokes. Sally Talley springs from a factory-owning Ozark tamily, works as a nurse in an army hospital (it's 1944) and has a jaw locked as tight as a cashbox. The two are not a very probable couple...

Author: By Scott A. Rosenberg, | Title: Where Politics and Emotion Meet | 4/25/1981 | See Source »

...place is human now for a while at least, clearly Jimmy Carter's home. Anyone with the time to wander the county, to wait for the strong old rhythms of its life to sound their bass beneath the cashbox jingle, will see how the place has added to the man large measures of its own calm, its silent demonstration (at field's edge, in shacks, on more fortunate porches) of the few but urgent needs of human continuance, of-more urgent still -the needs of the earth. You may even come away with something like my own sense...

Author: /time Magazine | Title: Nation: The Strong Old Rhythms of Plains | 2/5/1979 | See Source »

...does not spend his energies talking about the Yale Drama School or other heavy topics. Instead, he has shrewdly consolidated his reputation by recording a bland rock album tailored to subteens. Let Her In, Travolta's biggest hit on the album, is now No. 5 on the Cashbox charts...

Author: /time Magazine | Title: Show Business: Sweathog Heartthrob | 7/26/1976 | See Source »

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