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...punishment for bad behavior, like solitary confinement. As a result, not every prisoner mom is happy about having her children with her. "I am paying my debt to society but that doesn't mean that my children should be paying the consequences of my actions too," says Casilda Calle, another prisoner...

Author: /time Magazine | Title: In Bolivia, Keeping Kids and Moms Together — in Prison | 4/22/2009 | See Source »

...doubt when it is revealed that one of them—no one can say which for sure—may be the heir to the Kingdom of Barataria. The heir among them was transplanted to Venice at birth—but not before being engaged to the lovely Casilda (Cambridge Riley), the daughter of the Spanish Duke of Plazatoro (Jim Luiz). However, Casilda is now in love with Luiz (Dan A. Spitzer ’05), and the possibility of marrying otherwise fills her with as much consternation as it does any of the other four young lovers...

Author: By Patrick D. Blanchfield, CRIMSON STAFF WRITER | Title: Review: G&S Mounts Engaging ‘Gondoliers’ | 12/8/2003 | See Source »

...style, is a convoluted tale of mistaken identities and star-crossed lovers that can only be understood when it is clearly and resoundingly sung by its main players. To summarize: it seems that years ago the Duke and Duchess of Plaza-Toro had promised their daughter Casilda to an infant heir who was subsequently kidnapped but later found to be living as a gondolier in Venice. The operetta opens as the Duke and Duchess bring their daughter to Venice to claim her husband, only to find that not only is no one sure which of two gondoliers (Marco or Guiseppe...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: Pump Up the G. and S. Volume | 12/11/1998 | See Source »

...line after line of patter-talk; they just weren't loud enough. Seth Fenton '01 as The Duke of Plaza-Toro seemed to have the "patter" down perfectly (try saying "celebrated, cultivated, underrated Nobleman" five times at breakneck speed and in tune), and his entire court (he, the Duchess, Casilda and Luiz) was pretty adept at dishing out the tongue-tying lyrics...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: Pump Up the G. and S. Volume | 12/11/1998 | See Source »

...unimaginative and rote, sort of the directorial equivalent of painting by numbers. Many bad cliches are used in this production--from the overture pantomime of Tessa and Gianetta (five minutes watching the two girls place flowers in baskets oh so carefully) to the set staging of the chorus. When Casilda is holding a rose during a bittersweet love song, you know she will drop it at the end. She does. The evening is full of things like that too depressing to recount here...

Author: By Lori E. Smith, | Title: Rough Sailing for Gondoliers | 4/29/1993 | See Source »

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