Word: caspar
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...extroverted life lends itself well to visual presentation, Bruno dominates the screen. But he never really changes and, though he at first overshadows the law student, Roberto's silent, internal development assumes prime significance. Enchanted by the older man, Roberto (Jean Louis Trintignant) gradually becomes emancipated from his Caspar Milquetoast past. Bruno catalyzes Roberto's transformation. For example, the law student loses a bit of his innocence only when Bruno reveals the old family caretaker, Gaylord, as a homosexual...
...state budget, speaker Unruh took advantage of a quorum-requiring "call of the house" to lock up foot-dragging Republicans overnight in the state capitol; he made the Republicans even madder by offering them the use of his own razor and shower bath if needed. Cried Republican State Chairman Caspar Weinberger, ordinarily a mild-mannered fellow: "These are tactics Stalin, Hitler and other dictators used...
...began like a trip to a church picnic. Crammed into the Land-Rover bouncing over South Viet Nam's heavily traveled Route 20 were American Missionary Elwood Jacobsen, 35, and Filipino Missionary Caspar Makil, 36, with their wives and five children. After months of ministering to primitive Vietnamese natives, the two missionaries and their families were headed for the Makil home near the mountain resort of Dalat...
...often, you depict every run-of-the-mill, nondescript, Caspar Milquetoast, blend-into-the-woodwork type gangster as looking like a bank clerk. And now Eichmann! Come, come, TIME. Where are you doing your banking? Surely not out here in the West, where I am married to a banker who looks like a gangster...
...final scene the audience was deeply moved by Oedipus (Tenor Gerhard Stolze) staggering onstage before Designer Caspar Neher's abstract backdrop (it looked like a microphotograph of a germ culture) and raising his sightless eyes with a beatific smile. Soprano Varnay refused to watch from the wings because "I dream about such things." Reported TIME Correspondent Paul Moor: "For a non-German-speaking audience, this opera has long, boring stretches because the music is so subservient to the text. Nevertheless, Orff has created a theater work of gripping power...