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...business capital of the Midwest, is each year becoming more of a cultural center as well. Next week the Chicago Art Institute will stage a show unrivaled among the new year's exhibitions for size and sophistication: 120 pictures by three extraordinary American expatriates-John Singer Sargent, Mary Cassatt and James McNeill Whistler. All three made their fame in the Victorian and Edwardian eras; after their deaths, the reputations of all three declined. Perhaps because they were restless folk, who elected to live abroad, none of the three ever quite matched the greatness of their deep-rooted contemporaries, Winslow...

Author: /time Magazine | Title: Art: Expatriates in Chicago | 1/11/1954 | See Source »

...Mary Cassatt's closest male friend was also her master, Edgar Degas. If she never equaled that dour misogynist as an artist, she came close enough to earn a place as the best woman painter America has produced. A rich, aristocratic Pennsylvanian, she spent almost all her adult life laboring at her profession in Paris. Though she hobnobbed with the impressionists, the tall spinster never painted a landscape. People offered more of a challenge, she felt. Cassatt was an austere sort alto gether; she once turned John Singer Sargent from her door because he had done such a "dreadful...

Author: /time Magazine | Title: Art: Expatriates in Chicago | 1/11/1954 | See Source »

...spread) demonstrates Cassatt's genius for imbuing the most ordinary sights with a magic timelessness. Her compositions look as casual as candid camera shots; actually they are composed as sensitively as the Japanese prints she admired and collected. La Loge (opposite) is a surprisingly festive picture for Cassatt. Curator Frederick Sweet, who assembled Chicago's exhibition, considers it her most beautiful canvas...

Author: /time Magazine | Title: Art: Expatriates in Chicago | 1/11/1954 | See Source »

...Mary Cassatt's most telling device was her own: she painted plain and sometimes charmless people in classically noble poses, and with the same care that earlier artists lavished on saints and goddesses. Coolheaded and warmhearted, easy and austere, her art had the perfect balance that only will power achieves. Beyond that, Painter Cassatt was blessed with psychological penetration as unwelcome in the Victorian age as it is prized today. In the picture opposite, the baby's burgeoning life subsides to bedtime weariness. Relaxed and perfectly possessive, the child clasps its mother's chin. The mother...

Author: /time Magazine | Title: Art: BEST U.S. WOMAN PAINTER | 10/12/1953 | See Source »

...Wichita canvas owes much to Edgar Degas, the woman-hating perfectionist who was Mary Cassatt's closest male friend. "I would not have admitted," he exclaimed when first he saw her work, "that a woman could draw as well as that." He proceeded to teach her a good deal of his own almost cruelly precise draftsmanship, which has never been surpassed for subtlety. Other impressionists-Manet, Monet et al. -followed Degas' lead in drawing Painter Cassatt into their sunlit circle. From them she got the habit of subordinating form, space and texture to the pure play of light...

Author: /time Magazine | Title: Art: BEST U.S. WOMAN PAINTER | 10/12/1953 | See Source »

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