Word: cassel
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Dates: during 1970-1979
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...finally gets his existential shit together when he meets Leonard II (Seymour Cassel), a fiery wild-eyed money burning Jerry Rubin style terrorist and gets into a back-up bomber action at a conspiracy trial. Williams aims at more than "realism" by portraying this final sequence as unsenstional, without crowds or reporters. The cerie setting he comes an apotheosis of the existential situation: the problem of the individual's depth-perception, the limits of the revolutionary's knowledge into his support and his justification. The People are no where to be seen, and an oppressive silence dominates...