Word: cassels
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...finally gets his existential shit together when he meets Leonard II (Seymour Cassel), a fiery wild-eyed money burning Jerry Rubin style terrorist and gets into a back-up bomber action at a conspiracy trial. Williams aims at more than "realism" by portraying this final sequence as unsenstional, without crowds or reporters. The cerie setting he comes an apotheosis of the existential situation: the problem of the individual's depth-perception, the limits of the revolutionary's knowledge into his support and his justification. The People are no where to be seen, and an oppressive silence dominates...
Ending a New England vacation, Dr. Jesse James Pone Jr. was driving home to Westbury, Long Island, when he heard a radio report of a double shooting in New Cassel, only a couple of miles from Westbury. At that very moment, said the radio, the man with the gun was barricaded in a basement laundry room, where police had been besieging him for hours. They dared not use force, because the man was threatening to kill the two-year-old girl whom he was holding as hostage. What really gripped Pone's attention was the gunman's name...
...Pone raced to New Cassel. Outside the laundry room with the police lay Mitchell's common-law wife on a stretcher. He had shot both her and her brother after an argument. Mitchell ignored the wounded woman's pleas to come out and give up the child. Then Pone took over. Pone used Negro psychology-sociology to make his case to Mitchell, also a Negro...
Exhibit B: The Killing Game. A husband-and-wife team (Jean-Pierre Cassel and Claudine Auger) manufacture Superman-style comic strips for a living, but run out of super ideas. Just a pair of fun-loving kids, they hang around the studio playing with their mental blocks until a wealthy Swiss named Bob (Michel Duchaussoy) invites them to his chalet for a stay. What starts out as kicky soon becomes sicky. Bob is a paranoid who imagines that an organization is out to expunge him. Unfortunately, it is all in his imagination, and to comfort himself he zooms about...
...Louis Cassel, Senior Editor of UPI admitted that newspapers, by running stories of the horrors of the ghettos, made Negroes feel that "they were obligated to riot...