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Goldstein’s novel flits between two storylines in the life of affable academic Cass Seltzer, one in his present, the other in his past. Presently, Seltzer is contemplating an offer to assume a post at Harvard University, having achieved unexpected fame with his book, “The Varieties of Religious Illusion.” The combination of this secularist tract—and its appendix refuting 36 arguments for God’s existence—with Cass’s clear-eyed empathy for religious belief has turned him into an overnight celebrity, dubbed by Time...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

...flashback plotline explains how Seltzer came to write such a book, recounting his trajectory from life as a long-suffering graduate student in the humanities to becoming personally concerned with matters of faith. Under the tutelage of Jonas Elijah Klapper—a Harold Bloom caricature—Cass visited New Walden, a cloistered Hasidic enclave where men and women walk on different sides of the street and modernity has yet to intrude. There Cass meets Azarya, a child prodigy who at the age of six has derived complex mathematical proofs without any formal education. But Azarya is also...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

...said to have been catapulted to a Harvard professorship when a mainstream publisher picked up his research on the psychology of happiness—a favorite subject of some of Harvard’s actual psychology lecturers, from Daniel Gilbert to Tal Ben-Shahar. And while the fictional Cass Seltzer did not debate Sir Jonathan Sacks, the Chief Rabbi of Britain, at the London Jewish Book Festival, Goldstein’s husband, Harvard icon Steven Pinker, did in 2005. These adapted details of academia make Goldstein’s story that much more compelling, and her not infrequent satirical skewers...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

...visual cues are as loud as the singing: from the very beginning, the slogan “Fascismo È Libertà” is projected brightly onto an angularly imperious archway. The villain Scarpia (Greg Cass) is dressed as a blackshirt, with oily hair and a thin mustache suggestive of Hitler. By the end, when Tosca not only takes the traditional suicidal plunge, but tears down a banner with the motto “Viva La Morte” with her, there can be no mistake: we are in Fascist times. Only Mussolini posters could have made...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: LHO Reenvisions 'Tosca' in Fascist Rome | 3/2/2010 | See Source »

...Cass Seltzer, the main character of your book, is seen as an “atheist with a soul.” Do you also see yourself this...

Author: By Kathryn C. Reed, CRIMSON STAFF WRITER | Title: 15 Questions With Rebecca N. Goldstein | 2/11/2010 | See Source »

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