Word: cassou
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...most interesting member of the ring, however, was hardly more than a phantasm of pseudonyms: Von Houry / Herzog / Cassou / Hoffman / Raynal / Dory-Boutin. Actually he was a man named Elmyr de Hory, the artist responsible for counterfeiting the countless drawings, gouaches, watercolors and oils sold as Picassos, Matisses, Modiglianis, Braques, Derains, Monets, Légers, Dufys, Renoirs, Vlamincks and Van Dongens. Fake! is basically Elmyr de Hory's story as told to Novelist Clifford Irving (The Valley, The 38th Floor). It is an exuberant collage of skillful innuendo, succulent gossip, bitchery and elusive truths...
...artists in Paris, and never recovered until he died at 79. His range was nearly as wide as his lifespan: Paris posters resembling those of Toulouse-Lautrec, portraits of midinettes with the geisha gestures of Hiroshige figures, pointillistic experiments with gossamer landscapes, indolent nudes. In the preface, Critics Jean Cassou and Raymond Cogniat try to define Bonnard's place in modern art. Their conclusion: his true place is "outside time...
Freshly reminded of Picasso's theater period, the critics have hailed its significance. Says Jean Cassou, director of Paris' Museum of Modern Art: "Picasso's theatrical works occupy a great place in his career. His whole genius, his entire work, including his still lifes, have a theatrical character...
...resigning from Manhattan's Guggenheim Museum. Sweeney stuck to Derain's pre-World War I output, but even with the span thus limited, one fact about Derain comes through. Only seemingly did Derain belong with his contemporaries; essentially he was a traditionalist. In the words of Jean Cassou. curator of the Museum of Modern Art in Paris, he was "the modern artist who refused to be modern...
...town and a source of interested buzzing in art centers far above and beyond the border. Critics greeted the show with salvos of praise that made it the biggest Mexican art event since the 1949 retrospective of another painter, Diego Rivera. Paris' Museum of Modern Art Director Jean Cassou fired off an urgent telegram, then flew to Mexico City to see for himself. One Californian sent in his $4,000 check for one painting, a leader of Ft. Worth's oiligarchy reserved another four paintings, and U.S. museums hurried to get in bids. Focus of all the excitement...