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During his campaign for the mayoralty of New York, Manhattan's Republican Congressman John V. Lindsay, 43, has made every effort to identify himself as a foursquare progressive, even to the extent of treating his own G.O.P. city organization like a cast-off girl friend. Last week the strategy paid off, at least in part. By nearly unanimous vote, the nominating conference of the city's left-of-Democratic Liberal Party endorsed Lindsay as its candidate in the November election...

Author: /time Magazine | Title: Politics: Fusion & Fightin' | 7/9/1965 | See Source »

...this predilection for cast-off and used-up objects? In part, it grew out of the pessimism of postwar Germany. Explained Schwitters: "I could not use what I had brought from the academy. I felt myself freed [from the war] and had to shout my jubilation out to the world. Out of parsimony I took whatever I found to do this, because we were now a poor country." He called this art of shreds and patches Merz, a meaningless word derived from Kommerz (commerce), but carrying with it connotations of both ausmerzen (to reject), Herz (heart), and Schmerz (pain...

Author: /time Magazine | Title: Collage: Revolution from Refuse | 6/4/1965 | See Source »

...tables. Having tea at the zoo, she quietly distills despair while a prurient cuckold (James Mason) spews ugly revelations about her husband and his wife. Cornered under a hair dryer at a beauty salon, she blanches, feeling her own anguish cruelly parodied in a chance conversation with a venomous, cast-off drudge. And her spectacular scenes with Finch, pitched against the din of a more or less anonymous army of progeny, are a litany of love, hate, lies, jealousy and excruciating domestic boredom...

Author: /time Magazine | Title: Cinema: A Wife's Tale | 11/13/1964 | See Source »

...only Carpetbagger exhaling unpolluted air is Broadway Actress Elizabeth Ashley. Given an insipid role as the cast-off wife who keeps stumbling over platinum blondes in Peppard's hotel suites, she turns her rough-velvet charm to advantage in a performance that bleach cannot beat. Peppard himself works manfully to conquer the handicaps of a script climaxed by preposterous revelations fraught with pop psychology, an excess that even the book avoided. Seems Peppard isn't such a bad sort, after all. He became rich, ruthless and depraved because his father had hated him ever since-ah, well. Presumably...

Author: /time Magazine | Title: Cinema: Low & Inside | 7/3/1964 | See Source »

Pyro glosses over its terror with a sort of Hitchcock-and-bull story photographed in Spain in flamenco hues and laved in bucketfuls of blue butane gas. The film casts Barry Sullivan as a philanderer who becomes a firebug when cast-off Playmate Martha Hyer sends his house up in flame. His wife and daughter dead, Barry survives, a hideously deformed monster with a "carbonized" brain. Crazed, hunted, vowing fiery vengeance, he hides behind a mask that inexplicably looks just like his old self. To keep the movie's audience from straying out for a smoke, there are some...

Author: /time Magazine | Title: Cinema: Werewolves | 5/15/1964 | See Source »

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