Word: cast
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Dates: during 1950-1959
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...performed any better; director Jerome T. Kilty '49 fashioned a show of amazing freshness and vitality. The most striking feature of this production was a complete stylistic consistency, which is the hardest virtue to achieve in a period piece like this. With one exception, every member of the cast down to the tripping maid (Moira Wylie '60) and whirl-wind butler (Robert Jordan '59) captured the proper unified style in both word and gesture...
...quite up to his Broadway predecessor, Eric Portman. He was, however not really at home in the first play. He is habitually cool, clean, clipped and polished; and it was clearly an effort for him to be awkward, slovenly, and impetuous. The two stars enjoyed an uncommonly fine supporting cast--better than the Broadway one, and better directed...
Nadine Duwez handled the title role with considerable skill. The Creon of Elias Kulukundis '60 was a bit awkward. Earle Edgerton '56 directed, and others in the cast included Debbie Gayle, Mary Cass, Herb Propper, Sidney Davis, William Batchelder '59, Robert Hesse '59, and Nicholas Thompson '60.22"No Exit": MARY CASS and EARLE EDGERTON...
...display last week, Avery's sudden end-of-the-summer spurt made a glowing show. Hot Moon hung in the August sky like a ball of orange light that cast an orange sheen over the magenta sea; Sail shows a ghostly boat slipping silently through a sea of rapid blue and white strokes. "When people ask me how long it took," Avery explained. "I say 30 years. That's how long the preparation took...
...Dunkirk-their finest hour, like the aowl' boy said, an' the greatest military operation in the 'aowl' bloomin' 'istory of military warfare-an' 'e's got official films and records, pots of money, 'e's got a cast 'e couldn't squeeze into Trafalgar Square, an' wot else...