Word: cast
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Dates: during 2010-2019
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...which Fielding’s protégé slowly grows closer with Fielding’s girlfriend. But to move us along without waiting for such inconveniences as “character development,” the script decides to just drastically rewrite the personalities of the main cast...
...unoriginal storyline to the overly violent and unnecessary massacre that punctuates its conclusion (the ending of the film was reshot following a poor reception at a screening at Sundance this year), “Brooklyn’s Finest” affords little recommendation other than its stellar cast...
...figures, as the rap star confidently spits, “There’s rappers and dealers and players and me / They say that they’re winners / Okay, well let’s see.” Not only are these rhymes depressingly conventional, but worse, they cast the beats in the background, thereby preventing the best aspect of “Plastic Beach” from shining through. This same problem is present on “White Flag,” in which banal rhymes ultimately dominate the fantastic opening of the Lebanese orchestra, who create...
...complex interplay between characters demands much from the actors in a play that finds room for both comedic and dramatic moments. For the most part, the cast pulls it off. Kramer delivers as Clive, nailing the desperate, angst-ridden teen with a deliberately exaggerated performance, allowing for ambiguity concerning how much of his persona is affectation and how much is real anguish...
...which runs in the Loeb Experimental Theater through March 12, is the play that garnered him his first public acclaim in 1958, and it can’t seem to decide which side of that genre line it falls on. Despite a few missed notes, the cast very nearly reconciles these two disparate halves into a cohesive whole that entertains while confronting serious questions of family, responsibility, and class...