Word: castaneda
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Dates: during 1970-1979
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Well and good. But where does a writer's license, the "artistic self-representation" Castaneda lays claim to, end? How far does it permeate his story of Don Juan? As the books' sales mount, the resistance multiplies. Three parodies of Castaneda have appeared in New York magazines and papers lately, and the critics seem to be preparing to skewer Don Juan as a kind of anthropological Ossian, the legendary third century Gaelic poet whose works James Macpherson foisted upon 18th century British readers...
...Castaneda fans should not panic, however. A strong case can be made that the Don Juan books are of a different order of truthfulness from Castaneda's pre-Don Juan past. Where, for example, was the motive for an elaborate scholarly put-on? The Teachings was submitted to a university press, an unlikely prospect for bestsellerdom. Besides, getting an anthropology degree from U.C.L.A. is not so difficult that a candidate would employ so vast a confabulation just to avoid research. A little fudging, perhaps, but not a whole system in the manner...
...that was certainly Castaneda's situation in the summer of 1960: a young Peruvian student with limited ambitions. There is no reason to doubt his account of how the work began. "I wanted to enter graduate school and do a good job of being an academic, and I knew that if I could publish a little paper beforehand, I'd have it made." One of his teachers at U.C.L.A., Professor Clement Meighan, had interested him in shamanism. Castaneda decided the easiest field would be ethnobotany, the classification of psychotropic plants used by sorcerers. Then came Don Juan...
...visits to the Southwest and the Mexican desert gradually became the spine of Castaneda's life. Impressed by his work, the U.C.L.A. staff offered him encouragement. Recalls Professor Meighan: "Carlos was the type of student a teacher waits for." Sociology Professor Harold Garfinkel, one of the fathers of ethnomethodology, gave Castaneda constant stimulus and harsh criticism. After his first peyote experience (August 1961), Castaneda presented Garfinkel with a long "analysis" of his visions. "Garfinkel said, 'Don't explain to me. You are a nobody. Just give it to me straight and in detail, the way it happened. The richness...
Like the various versions of Castaneda's life, the books are an invitation to consider contradictory kinds of truth. At the core of his books and Don Juan's method is, of course, the assumption that reality is not an absolute. It comes to each of us culturally determined, packaged in advance. "The world has been rendered coherent by our description of it," Castaneda argues, echoing Don Juan. "From the moment of birth, this world has been described for us. What we see is just a description...