Word: caste
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Dates: during 1920-1929
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...advantages possessed by the playwright over writers of other literary forms is that when he produces a work with deficiencies that would ensure its speedy extinction in any other medium he may have it cast and produced so effectively as to make it a hit. Such is the happy fate that befell Mr. Barry, the author of "Courage" now playing at the Willbur...
Seen in cold type the plot, besides ending up with a sagging anti-climax, contains such venerable stage devices as the arrival of an unexpected legacy just in time to save the furniture from ravening creditors. But under the capable handling of a cast headed by Janet Beecher it takes on a plausibility and conviction that makes the final impression eminently satisfactory. Miss Beecher has the inherently unsympathetic role of a widowed mother who has squandered her childrens' patrimony through a combination of poor business judgement and extravagance and whose compensating virtues are limited to a determination to keep them...
...makes it one of the most memorable characterizations of the season. Junior Blake as the youngest and incidentally illegitimate son who causes most of the complications of the plot and eventually brings it through right side up, handles a long part very capably, and the other members of the cast lend more than adequate support. All in all, the ayes have it by a large margin...
...education. What she needed, she insisted, was emotion. She made what use she could of this quality in her first vaudeville part, which she achieved in 1907, and which consisted mostly of imitations of Harry Lauder. After warming up on Orpheum and Proctor circuits she played in the cast of The Girl from Utah in England, then in another play or two, then back to vaudeville, then in the Follies of 1915 and 1916. Ziegfeld, who liked her imitations, let her do one of Marie Odile, star of a Belasco play then current. David Belasco saw her and gave...
...mechanic's love life, the background is sketchily and conventionally treated. William Haines capitalizes his famed insouciance to the point of insufferability. Proving at the denouement that he is a good chap after all, he sacrifices the race to his pal, Ernest Torrence, best ac tor in the cast. Best shot: a car turning over on the track...