Word: caste
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Dates: during 1980-1989
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...sure, and cast greedy eyes on credit cards, care packages and family visits that might help me make the transition from Dallas to the East more smoothly. But, despite my anticipated (and realistic) longings for the creature comforts of home, a look back at first year convinces me that both my parents and old Polonius knew what they were talking about. As a veteran of roommate wars over the surreptitiously borrowed and later stained white shirt or formal dress, I will be the first to say that borrowing and lending can have their disadvantages...
...while the people at the peak of Mount Harvard--like President Derek C. Bok--are much too busy and important to speak to you, in their infinite wisdom they have assembled a cast of less luminous, but always smiling, characters to handle undergraduate concerns...
...novel that a Hollywood producer proposes to contort into an MTV- influenced musical. Sherman's sprawling, ambitious piece has any number of themes, most powerfully the idea that art comforts us by letting us focus on microcosmic disasters so that we can ignore the global ones. Dominating an exceptional cast are Rupert Graves as the young artist of the first half and the producer-despoiler of the second, Ian Sears as the misleadingly lighthearted waiter, and Vanessa Redgrave, managing an impeccable pair of American accents as the Mississippi woman and then a free-spirited New Yorker...
...color scheme is chicly coordinated, as if Jerome Robbins' Sharks and Jets were about to dance onscreen; the picture could be called Bed-Stuy Story, full of Officer Krupkes and kindly store owners. At first, the dilemmas are predictably pastel too: populist cliches brought to life by an attractive cast. Even the racial epithets have a jaunty tinge, as in a series of antibrotherhood jokes made by blacks, Italians, Hispanics, white cops and Korean grocers -- the film's best sequence. On this street there are no crack dealers, hookers or muggers, just a 24-hour deejay named Mister Senor Love...
...black shirts and slacks, the four musicians walked onto a stage jumbled with speakers, tape equipment and an assortment of lights and mechanical gears. Before each of the scheduled four works, played without intermission, the Kronos members, in stately, choreographed movements, placed the lights and objects to cast different shadow forms on four screens set up behind their chairs. The program typically offered two New York premieres. In John Geist's edgy Fall from Grace, Kronos played live against the background of a tape of 18 string quartets prerecorded by the group. In Steven Mackey's Among the Vanishing...