Word: caste
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Dates: during 1990-1999
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...Pope Clement IX Rospigliosi commissioned Bernini to work on the Ponte Sant' Angelo project. For the next two years, the sculptor cast his ideas into clay, creating models for 10 over life-size marble angels, each carrying an instrument of Christ's Passion. Of the 10 angels, eight were carved by sculptors under Bernini's direction, and Bernini's own work was confined to the angels holding the Crown of Thorns and the Superscription. When the Pope visited Bernini's studio, he was so impressed with Bernini's two angels that he declared them too beautiful for outdoor display...
...only intact surviving model of 22 sketches for the giant marble figure of the centurion who pierced Christ's side, only to then discover His divinity. Longinus is one of four figures planned for the altar niches at the crossing of St. Peter's Basilica. The bronze cast of the of the Countess Matilda (called the "FalkBronze" after its donor) is one of two remainingfigurines that closely resemble the statue of thecountess in the tomb erected in St. Peter'sBasilica under order of Pope Barberini. All theseform part of one of Fogg Museum's most spectacularand far-sighted purchases ever...
...compelled to leave his Texas flock for a mysterious calling in rural Louisiana. Duvall doesn't acquit himself at all, either as an actor or as a filmmaker. But he coaxed true performances from Farrah Fawcett, Billy Bob Thornton, John Beasley and June Carter Cash. But the fine supporting cast does not have much to do. Every scene, every frame of the overly long Apostle centers on Duvall. --Alexander Laskey...
Catherine McCormack delivers a refreshing, funny and inspired performance in Marshal Herskovitz's new period piece. As Veronica Franco, a lower-class beautiful girl turned high-class court prostitute, McCormack leads a well-assembled cast in this slightly flawed--yet worth-seeing--film about life as a courtesan in 16th century Venice. Prefaced by both opening and closing textual summations, the film clearly advances a social agenda--in this respect, it slides by with an average grade. The cleverness of the rest of its script and the excellence of the acting, however, save Dangerous Beauty and makes it shine. --Marc...
...Teach-Ins were valuable in two respects. They promoted a sense of empowerment that extends beyond any individual issue, and encouraged people to take control of all aspects of their lives. They also addressed a wide set of issues, and in doing so helped to cast off the myopic haze which too often surrounds Harvard students. For one week, we were challenged to consider the plight not only of comfortable Ivy Leaguers, but also of oppressed students in Kosovo, Zapatistas in Chiapas, or low-skill workers...