Word: casted
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Dates: during 2000-2009
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...Mostly what Capricorn does is send people to his many dungeons, which are loaded with discards from other Silvertongue incidents, including some of Frank Baum's flying monkeys, a Minotaur and that white unicorn. This cast traipses in and out of more small dark rooms than someone looking for a studio apartment in New York City. And when they're not being thrown in a dungeon, they're either fleeing from the castle or trying to sneak back in. Whatever they seek, they generally find, but then forget...
...charm of two beautiful kids falling in love on Christmas Eve. Alexandra Heier as the young Clara more than made up for this with a sweet and amiable demeanor, and effortless movements that were the epitome of grace. The same can be said of the rest of the cast of well-schooled Boston Ballet youngsters on whom the ballet rests. The Battle of the Toy Soldiers and Mice was inventively choreographed by Daniel Pelzig. The large mice and growing Christmas tree were familiar; the Middle Eastern Mouse King who fancies dancing the Trepak, on the other hand, is an original...
...transformed into a Broadway musical by Maury Yeston, “Nine” follows womanizing film director Guido Contini as he sings his way through a search for clarity in his interwoven professional and personal lives. The sole male among a cast of women, Jonah C. Priour ’09 played an excellent Contini, portraying both pathetic midlife desperation and creative obsession all in a convincingly Italian accent. Attempting to take his mind off his troubles, Contini checks into a posh Venetian spa with his wife Luisa, but his worries persist. Refusing to confront his failing marriage...
Flowers are placed upside-down in a vase, a mouse drags a dead cat, and laundry is doused by a watering can; a cast member climbs a curtain that appears too weak to hold his weight and another falls into holes that aren’t really there. “Aurélia’s Oratorio” is full of such bizarre moments, which combine to create a poetic and wonderful production. Aurélia Thierrée’s practically one-woman show, written and directed by Victoria Thierrée Chaplin and running...
...organization and performance group Up with People--lampooned on The Simpsons as Hooray for Everything--began a cloying stretch of dominance that included four performances in 11 years. But as viewership swelled, from 24 million for Super Bowl I to 92 million two decades later, the game's rotating cast of producers began hiring brighter stars. Which isn't to say the shows got better: Gloria Estefan, Brian Boitano and Dorothy Hamill made a particularly mismatched lineup in 1992, as did Michael Jackson and a group of 3,500 children the following year. The show's most memorable glitch...