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Otto Preminger needed persuading that demure Dorothy could be the heartbreaking Carmen. But there she stands, hands on svelte hips, unleashing a wonderfully womanly laugh and dazzling the hapless Joe (Harry Belafonte) by sitting down and slinging his leg over her shoulder or urging him to dry her toenails: "Blow...

Author: /time Magazine | Title: LADY SCREENS THE BLUES | 9/1/1997 | See Source »

Rushdie made a poignant observation about the dark side of India today, but there is some cause for celebration: democracy has taken strong roots in India. In the past, the Indian masses were left out of the political and economic systems. Now the democratic forces are disseminating the political power...

Author: /time Magazine | Title: Letters: Sep. 1, 1997 | 9/1/1997 | See Source »

And if we don't know what to call them, how are we supposed to cope with them? Are they a new and distinct category of "real" Americans, due the same respectful recognition--and governmental protections--as more familiar groups? Or should they be lumped into the demeaning catchall category...

Author: /time Magazine | Title: RACE: I'M JUST WHO I AM | 5/5/1997 | See Source »

Saints don't often retire. But MOTHER TERESA, the woman whom many revere as one, is 86. So, it has fallen on the frail-looking shoulders of SISTER NIRMALA, 70, a high-caste Hindu convert to Catholicism, to take over the Missionaries of Charity. Sister Nirmala joined the order at...

Author: /time Magazine | Title: People: Mar. 24, 1997 | 3/24/1997 | See Source »

Like Mississippi Burning, Cry Freedom and other well-meaning movies about race, Ghosts of Mississippi is not really about the black civil rights struggle. It's about the white liberal's burden--the crusade, waged by some stalwart fellow with star quality, to purge his community of official racism and...

Author: /time Magazine | Title: A RICH FILM FEAST | 12/30/1996 | See Source »

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