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...Reported by Jim Castelli/ Washington, with other bureaus

Author: /time Magazine | Title: Religion: Catholics Take to the Ramparts | 4/19/1982 | See Source »

...sure whether either of these theories will eventually replace the cholesterol-heart link. Most doctors still believe a combination of factors brings on heart disease, and will prudently continue to recommend low cholesterol diets, plenty of exercise and no smoking Warns Dr. William Castelli, director of the pioneering Framingham, Mass., heart studies: "If people think they can go out and eat all the hamburgers and hot dogs they want and be safe by taking vitamin B6, they're crazy...

Author: /time Magazine | Title: Medicine: Diet Debate | 8/6/1979 | See Source »

...them is Frank Stella, a wiry, taciturn American of Sicilian descent who turns 42 next month but whose work must seem (to younger painters) to have been around forever. For ten years, from the moment in 1960 when his black pinstripe paintings were exhibited at Manhattan's Castelli Gallery, Stella's work was one of the main points around which the critical debates of that logorrheic decade precipitated themselves...

Author: /time Magazine | Title: Art: Stella and the Painted Bird | 4/3/1978 | See Source »

Hence, in part, the extraordinary interest of a show by New York Photographer Mary Ellen Mark, now on view at the Castelli Uptown gallery in Manhattan. Under the title "Ward 81," it records what Mark saw and experienced in the spring of 1976 during a six-week sojourn in the women's section of the maximum security ward of the Oregon State Hospital. "I wanted," says Mark, "to do an essay on the personalities of people who are locked away-to show a little bit of what they're like, especially the women. I didn't want...

Author: /time Magazine | Title: Art: Pictures at An Institution | 1/23/1978 | See Source »

Jasper Johns, considered by many people the greatest artist at work in America, has been in the public eye for not quite 20 years. It seems longer. No art career pupated more quickly. Johns appeared in 1958 at the Leo Castelli Gallery, a reclusive young Southerner from Augusta, Ga., who had been surviving in virtual isolation in Manhattan since 1952. With his paintings of targets and of the American flag, he landed on point, in the spot, at centerstage: the Museum of Modern Art bought three paintings from that first show, an unheard-of gesture to an unknown painter...

Author: /time Magazine | Title: Art: Pictures at an Inhibition | 10/31/1977 | See Source »

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