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...could be that no more new dealers of the traditional sort will actually come to power, so that the tradition that stretched from Ambroise Vollard to Leo Castelli and Paula Cooper will be lost. Big dealers will have their tame resident critics, as princes their poetasters. There will no longer be much distinction between collectors and dealers, and the collector-as-amateur will be extinct. On the boards of many museums, a new breed of broker, the collector-dealer-trus tee, will hold sway. And art will keep draining out of America toward Japan and Europe. Welcome to the future...

Author: /time Magazine | Title: Sold! The Art Market: Goes Crazy | 11/27/1989 | See Source »

...says, "I'm a wasp. You know how a wasp buzzes around and keeps you on your toes and worries about everything. There's a sound in the air that keeps everything moving." At times the buzz becomes a sonic boom. "Jerry was still rehearsing during previews," says Victor Castelli, a City Ballet soloist who is assisting Robbins. "The kids are exhausted because they are not used to it, and Jerry will be frustrated and annoyed and will yell and scream." But those who have survived Robbins' basic training testify to its effectiveness. "The theater is not all pats...

Author: /time Magazine | Title: Jerome Robbins: Peter Pan Flies Again | 3/6/1989 | See Source »

...that in certain cases of atherosclerosis, too little HDL may be as important a factor as too much LDL. On the other hand, the higher the level of HDL, the more it may aid in counteracting the effects of the bad cholesterol. This is the view of Dr. William Castelli, medical director of the Framingham Heart Study, a major research project that for the past 40 years has been following the cardiac history of residents of Framingham, Mass. "A number of us," says Castelli, "feel we can do a much better job of predicting who is at risk of getting...

Author: /time Magazine | Title: Medicine: Searching for Life's Elixir: HDL, the good cholesterol | 12/12/1988 | See Source »

...invite, and to some extent deserve, a degree of skepticism. The visitor who wends his way from house to house, seeing the same work by the same fashionable names, trophies of an insecure herd instinct that relies too much on too few galleries, most of them in New York (Castelli, Pace, Blum Helman, Boone, Cooper, Gagosian), is bound to feel dyspeptic. Was ever so much money raked from such passive, anxious uniformity of taste? And did dealers ever have such an unbridled influence on museum trustees and, through trustees, on curators? The problem is not confined to Los Angeles...

Author: /time Magazine | Title: Art: Getting On the Map | 1/12/1987 | See Source »

Adventuresome audiences that had made the pilgrimage downtown to Leo Castelli's influential art gallery on West Broadway in SoHo, for example, might encounter minimalist sculpture by Don Judd and Richard Serra or hear Glass's new sounds in concert. Near by, Performance Artist Anderson was playing her violin on a street corner while wearing ice skates atop a melting block of ice. Composer Steve Reich had already experimented with out-of-sync tape loops in pieces like Come Out; Choreographer Childs had created her early works, like Street Dance. "No one organized an official group or issued a manifesto...

Author: /time Magazine | Title: Music: New York, When It Sizzled | 6/3/1985 | See Source »

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