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...quest for change has often been a family affair: many top global-music performers, including Nigeria's Femi Kuti (son of Fela), Jamaica's Ziggy Marley (son of Bob) and Brazil's Max de Castro (son of Wilson Simonal), are the children of musical pioneers. Now, around the world, old traditions are being revived, remolded and returned to prominence by a new generation and new technology. In Tijuana, Mexico, young DJs are crossing traditional norteno (a polka-like music) with not-at-all-traditional techno to create a fresh genre, Nortec. In Bogota, Colombia, the rock duo Aterciopelados is mixing...

Author: /time Magazine | Title: Music Goes Global | 9/15/2001 | See Source »

...haunted by the specter of globalization, of a star-spangled world in which a parade of powerful letters--the U.N., the WTO, the IMF--hammers the diversity of the planet into homogenized goop. But Aterciopelados insisted on recording its latest CD in its hometown of Bogota. And Max de Castro projects blown-up images of old Brazilian LPs at some of his concerts to remind audiences of his country's heritage. Many new global artists have the curiosity to wander the earth with their music and the integrity to stay connected to their homelands. This is the help Marley asked...

Author: /time Magazine | Title: Music Goes Global | 9/15/2001 | See Source »

...like Guantanamera) into a rollicking American-style hip-hop anthem. The song struck a chord; young fans began eagerly trading bootleg tapes of the group and flocking to their concerts. Orishas' fame rose so rapidly that last year the group was invited to the presidential palace to meet Fidel Castro. "So you are the ones who have been making so much noise," said El Presidente admiringly. This from a leader who had once banned American rock music...

Author: /time Magazine | Title: Havana: Hidden Havana | 9/15/2001 | See Source »

...most outsiders are almost certainly unaware that Sao Paulo is home to Max de Castro, 28, a singer-songwriter and multi-instrumentalist who just might be the most original musical talent to have come out of Brazil in three decades. That's no small statement. Music in Brazil is like sunlight: it's natural, it's elemental, it illuminates every building, every river bend, every aspect of life. "Dancing and music are in our blood," says William Nadir, 23, a Sao Paulo motorcycle deliveryman. "You can spot strangers by the stiff way they move their hips...

Author: /time Magazine | Title: Max De Castro: Beyond Bossa Nova | 9/15/2001 | See Source »

...this tradition, De Castro brings a sound that fluidly, intelligently and winningly blends disparate genres--samba, bossa nova, drum 'n' bass, hip-hop and soul--into futuristic music that echoes the past. On his debut album, Samba Raro (released last year on the Trama label), De Castro's lyrics, all in Portuguese, have an engaging, understated simplicity. The title song compares the movement of a beautiful woman to a samba (Jobim and Vinicius de Moraes made a similar comparison on their bossa-nova standard The Girl from Ipanema). Another song, Pra Voce Lembrar, tells the story...

Author: /time Magazine | Title: Max De Castro: Beyond Bossa Nova | 9/15/2001 | See Source »

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